Feel by Michael P. Gladstone
Like This by AAJ StaffMore articles about Michele Mele
Michele Mele is not only a prolific songwriter (her 1989 song "That's All I Know" for singer Neil Donnell was a certified gold record), but also a theatrical director and music educator. In 1991, she composed a Christmas-themed work for the Toronto Philharmonic, which was performed in public. Her brothers, Lew and John Mele, are both professional musicians, and they perform on this album on bass and drums respectively.
In terms of my own reaction to the vocals, I cannot make a connection to most of these tunes. With original material, the hook is either the melody or the lyrics (hopefully both). While the tunes seem to be at least partially attractive, I'm not getting enough out of the lyrics or delivery to want to come back for more. "Cara Boo" actually sounds like a jazz instrumental that someone has written lyrics for. The fragmentary melody is well served by the choppy lyric delivery, sounding as if words had been penned for a Wayne Shorter composition. On the closing "Stop Talking," the music adopts a Latin jazz rhythm (something akin to Clare Fischer's "Morning"), but once again the vocal message seems superfluous.
The ensemble does a fine job of supporting Michele Mele, especially Michael Stuart's tenor sax (on "Cara Boo"), Guido Basso's fluegelhorn ("You Must Believe in Spring") and Bill McBernie's flute ("Don't Hide").
Track Listing: What's So Funny; I Can't Sing The Blues; Perspectivity; Simplicity; Beginning To See the Light; Costa Rican Birds; Don't Hide; Cara Boo; Morning Moon; Why Choose; You Must Believe In Spring; Stop Talking.
Personnel: Michele Mele: vocals; Bernie Senensky:piano; Lew Mele: bass; John Mele: drums; Guido Basso: flugelhorn; Bill McBirnie: flute; Michael Stuart: tenor sax.
Record Label: Self Produced
One moment, you will be redirected shortly.