Amazon.com Widgets

Gonzalo Rubalcaba: Fe' ... Faith (2011)

By Published: | 6,731 views
Gonzalo Rubalcaba: Fe' ... Faith How we rate: our writers tend to review music they like within their preferred genres.

It's been ten years since pianist Gonzalo Rubalcaba teamed up with Charlie Haden
Charlie Haden
Charlie Haden
1937 - 2014
bass, acoustic
on Nocturne (Universal, 2001). Then a twenty-something Cuban virtuoso, Rubalcaba already had a decade of recordings behind him and was being compared to Keith Jarrett
Keith Jarrett
Keith Jarrett
b.1945
piano
and Cecil Taylor
Cecil Taylor
Cecil Taylor
b.1929
piano
. Now a Florida resident and with his own newly minted label, 5Passion, Rubalcaba releases Fé ... Faith, a solo collection and his finest work to date.

Rubalcaba's playing style has typically been energetic and fiery and while those elements are present, this is a more refined and melodic collection, mixing original compositions with the works of Dizzy Gillespie
Dizzy Gillespie
Dizzy Gillespie
1917 - 1993
trumpet
, Miles Davis
Miles Davis
Miles Davis
1926 - 1991
trumpet
and Bill Evans
Bill Evans
Bill Evans
1929 - 1980
piano
. Underlying the melody is an ever present tension that slightly distorts familiar patterns. It's more like looking through a fishbowl than a prism. "Maferefun" is a perfect example of Rubalcaba's inventiveness. At times he appears to be two steps ahead of his own composition, with a multilayered backdrop complimenting a minimalist lead. The up-tempo "Improvisation 2" follows a similar model but the melody is weighted more lyrically.

Rubalcaba's treatment of Gillespie's "Con Alma (1)" is serene by comparison to the original. Nevertheless, the arrangement fills open spaces with notes that take on a profound sense of activity against the stark melody. Similarly, "Preludio Corto #2" is a demonstration of Rubalcaba's high regard for technique without the self-indulgence that could bury the classically influenced theme. Only "Improvisation 1" dispenses with a clearly identifiable theme for the sake of abstraction.

Rubalcaba has set the bar high for his new label. Technically, he is not exploring areas that are new to him, but his maturity has added new dimension to his playing. Rubalcaba's nomadic left hand is alternately aided or supplanted by his ability to intertwine complex melodies with the right. His sense of harmony owes as much to African elements as it does to European chord progressions. Rubalcaba's ability to incorporate those diverse components while flavoring the music with native Cuban ingredients is the combination that makes his music truly unique and consistently interesting.

Track Listing: Derivado 1; Maferefun; Improvisation 2 (Based On "Coltrane Changes"); Derivado 2; Con Alma 1; Preludio Corto #2 (Tu Amor Era Falso); Blue In Green 1; Oro; Joan; Joao; Yolanda; Blue In Green 2; Con Alma 3; Improvisation 1 (Based On "Coltrane Changes"); Derivado 3.

Personnel: Gonzalo Rubalcaba: piano.

Record Label: 5Passion

Style: Latin/World


comments powered by Disqus
Support All About Jazz Through Amazon

Weekly Giveaways

Mort Weiss

Mort Weiss

About | Enter

Rotem Sivan

Rotem Sivan

About | Enter

Michael Carvin

Michael Carvin

About | Enter

Steve Wilson/Lewis Nash

Steve Wilson/Lewis Nash

About | Enter

Sponsor: ECM Records | BUY NOW

Enter it twice.
To the weekly jazz events calendar

Enter the numbers in the graphic
Enter the code in this picture

Log in

One moment, you will be redirected shortly.