Brazilian jazz makes for a strong voice that comes in the three-part suite, each part written at a different time and manifesting a distinctive aspect of the music. Conguero Henry Morales, whose layered patterns shape the concepts impeccably, makes it all the more striking. Serrato establishes the tone on the swaying "Central Station Bossa," the rhythm nestling comfortably in the groove he sets up. The mood calms on "Blues in Rio" as Pittman picks up the flugelhorn and brings in a softer tone. And then it's back to the punch as "Assim E" dances in, the beat never letting go of its heady pulse.
They end well enough with "Mayan Moon," introduced by the funky whorl of the bass and congas before the long shimmering lines of the trumpet give it a different cast and it rises to a thundering climax. The effect is quite stunning and makes for a perfect finish to a pleasing album.
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Track Listing: Transversal; Afro Chant; Summer Blues; Nardis; The Marrying Kind; Brazilian Suite: Grand Central Bossa, Blues in Rio, Assim E; Mayan Moon
Personnel: Paul Serrato: Steinway, Yamaha P-80; Bryce Sebastien: bass; Dave Delgandio: drums, cabasa; Henry Morales: congas; Reggie Pittman: trumpet, flugelhorn.
Record Label: Graffiti Productions
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