CD/LP/Track ReviewMore articles about The Fonda/Stevens Group
Music & Arts
But "tradition" for this quintet is not artificially truncated to leave out the Sixties and Seventies. The variety of tempos, harmonies, dynamic levels, and moods of these pieces - and within them - is an artful combination of the best of what is conventionally understood as jazz with the compositional and timbral innovations of John Coltrane, Albert Ayler, and those who worked with them and came after them. Robertson and Whitecage can essay the prettiest of melodies with perfect straightforwardness (check out the gorgeous "Strayhorn" and the swinging "Birdtalk"), and burn at the outer edges with no less compelling confidence. The extraordinary Stevens never plays what one might expect, but never seems to make a misstep, displaying just as much versatility and quick-change ability as the horn players. He can play yearning ballads ("Strayhorn"), genial bop, sometimes with a Monk flavor ("From the Source"), contemporary classical coloristics ("2nd Time Around" and "From the S! ource"), furious energy music ("In the Whitecage"), and more.
Fonda is no less sensitive an accompanist, but he stands out here more for his compositions: "In the Whitecage," "2nd Time Around," "Song for My Mother" and "From the Source" - the latter in a version strikingly different from that on his From the Source album. Each is uniquely crafted and immediately much different from the others; "2nd Time Around" is especially noteworthy for its extended and treacherous unison section; "In the Whitecage" and "From the Source" sprawling tours-de-force that take in a panorama of styles and moods. Stevens' contributions, "Strayhorn" and the retro "Birdtalk," are less immediately ambitious (although they both contain more than a few surprises) but no less appealing.
Every so often there comes along a really striking disc, one that serious jazz listeners should not overlook. Here it is. Don't miss it.
Record Label: Leo Records
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