Essence of Green is pianist/composer Ron Di Salvio's nod to the music created by Miles Davis and his sextet on the classic album, Kind of Blue (Columbia, 1959). The sound that opens the album on "Six Shades of Green" is unmistakable: that elastic, slow-loping rhythm from Davis' "All Blues," with bassist Rodney Whitaker front-and-center here, backed by a simmering, just-a-hint ahead-of-the-beat drummer wielding the sticks with sublime subtlety and a gentle, implacable forward drive.
That's Jimmy Cobb in the drummer's chair, The Jimmy Cobb, from the original Kind of Blue date. He is masterfully understated throughout, supplying always impeccable time and light textures.
Miles Davis created a wide range of sound in his long careerfrom the bop of his Charlie Parker sideman days in the late forties and early fifties, though the modal attack of the mid-sixties into the fusion birth of the late sixties and early seventies. A tribute to take it all in would never work. Di Salvio's zeroing in on the 1959 time frame makes perfect sense, especially since his sounda light touch, the impossibly beautiful clustering of chordsparallels the Wynton Kelly/Bill Evans approach.
The line-upsaxophones and trumpet with the rhythm teammirrors Davis' late fifties band. Compositionally, the tunes allow the same freedom to improvise, creating a hundred small magical moments: Jimmy Cobb's soft rumble behind trumpeter Derrick Gardner's very Miles-like muted trumpet on "Miles Davis-Bill Evans Reunion in the Sky"; the well-placed space between De Salvio's chords on the same tune; Gardner's long stretched open horn line sounding like something from Davis' Milestones (Columbia, 1958) album; the emergence of the silken four-part vocal harmony on "Essence of Green" and Diego Rivera's restrained yet deeply soulful tenor sax solo on the tune.
The addition of the vocal quartet on two tunesa gorgeously pure melding of four human voices on "Essence of Green" and "Good Morning Santa Cruz"is an unusual move that works wonderfully, and makes one wonder why it isn't done more often in jazz.
Ron Di Salvio's Essence of Green pays tribute to Miles Davis' 1959 sound rather than recreate it. It is a brilliantly-conceived, beautifully-executed work.
Track Listing: Six Shades of Green; Crossing Lines; Green Pastures; Essence of Green; Primavera; Cobb's Throb; Miles Davis-Bill Evans Reunion in the Sky; Good Morning Santa Cruz; Arcadia; Wasabi.
Personnel: Derrick Gardner: trumpet; Diego Rivera: tenor saxophone; Pat Terbrack: alto saxophone; Ken Morgan: flute, baritone saxophone; Ron Di Savio: piano; Rodney Whitaker: bass; Jimmy Cobb: drums; vocals (4, 8): Aubrey Johnson: soprano; Johnaye Kendrick: alto; Andy Inglat: tenor; JC Coffey: bass.
Why do I love jazz? Well, depending on what you mean by jazz, I can send an answer in any number of directions. Briefly, I was exposed to this crazy music as a little boy, my dad good friends with the local music store, where he bought sheet music to play from his baby grand
Why do I love jazz? Well, depending on what you mean by jazz, I can send an answer in any number of directions. Briefly, I was exposed to this crazy music as a little boy, my dad good friends with the local music store, where he bought sheet music to play from his baby grand. Their massive record collection, my parents taking me to concerts and clubs (only one of five kids to do so), the Magnavox furniture stereo/radio ... it all added up. It was complex, emotional music. And it had rhythm! I drummed and followed the music through the '60s even as I enjoyed the new musics of my generation.
Along with side-trips to other musicians and music, it's been one hell of a pony ride ever since.