Elly Hoyt: Elly Hoyt (2011)

By Published: | 3,781 views
How we rate: our writers tend to review music they like within their preferred genres.

Elly Hoyt: Elly Hoyt
Tasmanian-born Elly Hoyt's self-titled debut catapulted her into the forefront of the jazz scene Down Under, winning the coveted Bell Award for Best Australian Jazz Vocal Album in 2011. Australian jazz is perhaps stronger than ever, with a veritable wealth of young musicians emerging and festivals popping up like 'roos, and this award serves meaningful notice of the 24 year-old's talent. Drawing heavily form jazz standards, these ten selections see Hoyt sympathetically supported by some of Australia's best musicians, but at the end of the day this is a vehicle for Hoyt's seductive voice, and seduce she does.

Duke Ellington
Duke Ellington
Duke Ellington
1899 - 1974
piano
/Lee Gaines's 1941 number "Just Squeeze Me" has a delightful intro, with Hoyt intimately accompanied solely by Phil Stack's earthy bass. The arrival of the rest of the group kicks the song into finger-snapping swing mode. Hoyt's slides easily into a sassy scat which combines freedom with control, leading into guitarist James Sherlock's short, tasteful solo. The group returns to the head, where Hoyt's affinity for the blues is evident. On her swinging "Ell's Blues," Hoyt's voice contains the gospel blues of singers Ella Fitzgerald
Ella Fitzgerald
Ella Fitzgerald
1917 - 1996
vocalist
and Carmen McRae
Carmen McRae
Carmen McRae
1920 - 1994
vocalist
. Tim Firth's drums are to the fore and, after a refined solo from Stack, Sherlock ratchets up the rhythm with a short, spicy one of his own.

The spare arrangement of "The Meaning of the Blues" shows that Hoyt is equally assured on slower numbers, and there's a seductive impressionism in her blue tonality on this Leah Worth/Bobby Troup
Bobby Troup
Bobby Troup
1918 - 1999
piano
standard. Guest flugelhornist John Hoffman plays a nicely sympathetic solo, with a fragility and brittleness of tone in keeping with the melancholy of the lyrics. Hoffman also illuminates a fairly ordinary rendition of Cole Porter
Cole Porter
Cole Porter
1891 - 1964
composer/conductor
's "All of You," with a warm, dancing solo. More effective as a vehicle for Hoyt's emotive voice is Antonio Carlos Jobim
Antonio Carlos Jobim
Antonio Carlos Jobim
1927 - 1994
piano
's classic, "Este Seu Olhar," with Sherlock's acoustic guitar, Firth's brushes and pianist Matt McMahon's minimalist touches providing perfectly subdued accompaniment.

The Ned Washington/Victor Young standard "My Foolish Heart" has provided a canvas for vastly different interpretations over the years, from pianist Bill Evans
Bill Evans
Bill Evans
1929 - 1980
piano
and singer Al Jarreau
Al Jarreau
Al Jarreau
b.1940
vocalist
to guitarist John McLaughlin
John McLaughlin
John McLaughlin
b.1942
guitar
—though Hoyt's snappy Brazilian samba evokes singer Astrud Gilberto
Astrud Gilberto
Astrud Gilberto
b.1940
vocalist
's take, albeit livelier, and features McMahon. Hoyt swings on Hammerstein/Kern's "Nobody Else but Me" and simmers on a wonderfully laidback, drummer-less arrangement of the Nat Adderley
Nat Adderley
Nat Adderley
1931 - 2000
trumpet
/Curtis Lewis gospel-folk number "The Old Country," colored by Sherlock's singing blues lines. Hoyt also makes a compelling case for the possible inclusion of Neil and Tim Finn's "Four Seasons in One Day" in the forthcoming Australian Real Book .

Hoyt's slow-burning "All I Know" sits well among the standards and provides evidence of a songwriting talent which will hopefully blossom. This is an impressive debut from a singer mature beyond her years, one whose distinctive, blues-inflected voice is soulful and quietly commanding. Hoyt is just setting out on her journey, and it's exciting to think that she's only going to hone and perfect her craft in the years and decades to come.

Track Listing: Just Squeeze Me; Este Seu Olhar; Four Seasons in One Day; All I Know; Ell's Blues; All of You; Foolish Heart; The Meaning of the Blues; Nobody Else But Me; The Old Country.

Personnel: Elly Hoyt: vocals; Matt McMahon: piano; Tim Firth: drums; Phil Stack: bass; James Sherlock: guitar; John Hoffman: flugelhorn (6, 8).

Record Label: Pinnacles Music


comments powered by Disqus
Sponsor: Summit Records | BUY NOW

Enter it twice.
To the weekly jazz events calendar

Enter the numbers in the graphic
Enter the code in this picture

Log in

One moment, you will be redirected shortly.

or search site with Google