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Eli Degibri: Israeli Song

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Eli Degibri

Israeli Song

Anzic Records

2010

If jazz buffs were approached at the start of the 1990s and asked to list some top-flight Israeli jazz musicians, plenty of them wouldn't be able to utter a single name. That just goes to show how much the times have changed. In 2010, Israeli-born jazz musicians are among the brightest stars in modern jazz and saxophonist Eli Degibri
Eli Degibri
Eli Degibri
b.1978
sax, tenor
's name is high up on this list. Degibri arrived in the United States in 1997—to attend Berklee—and he ended up in the Big Apple in 2002, where he began to make a name for himself as one of the most consistently engaging forces on the scene. While he's had the opportunity to work with legendary figures like pianist Herbie Hancock
Herbie Hancock
Herbie Hancock
b.1940
piano
, his own recordings—up to this point—have always featured his contemporaries, such as drummer Jeff Ballard
Jeff Ballard
Jeff Ballard
b.1963
drums
and pianist Aaron Goldberg.

With Israeli Song, Degibri moves in a different direction and, in the process, has put together what is, perhaps, one of the best small groups to show up on record this year. Brad Mehldau
Brad Mehldau
Brad Mehldau
b.1970
piano
mans the piano chair on this recording and two legendary alumni of trumpeter Miles Davis
Miles Davis
Miles Davis
1926 - 1991
trumpet
—bassist Ron Carter
Ron Carter
Ron Carter
b.1937
bass
and drummer Al Foster
Al Foster
Al Foster
b.1944
drums
—round out the rest of the quartet. While this type of line-up might seem like a gimmick, meant to draw fans in with big names, that's not the case. Degibri has been an important presence in Foster's band for eight years and Carter connected with the saxophonist after he left Berklee to attend the Thelonious Monk
Thelonious Monk
Thelonious Monk
1917 - 1982
piano
Institute of Jazz Performance.

Degibri's originals make up more than half of the program, but each member of the band also contributes one piece, and a pair of choice chestnuts—Dizzy Gillespie
Dizzy Gillespie
Dizzy Gillespie
1917 - 1993
trumpet
's "Bebop" and Harold Arlen
Harold Arlen
Harold Arlen
1905 - 1986
composer/conductor
's "Somewhere Over The Rainbow"—also make it onto the program. Within these selections, Degibri also takes the opportunity to settle into duo dialogues with each band member at one time or another. "Bebop" brings Degibri and Foster together, as the saxophonist positively burns over the drummer's constant comping. Foster rightly pays tribute to bop drumming pioneers like Kenny Clarke
Kenny Clarke
Kenny Clarke
1914 - 1985
drums
and Max Roach
Max Roach
Max Roach
1925 - 2007
drums
, but marries their ideals with his own ideas and assertions. "Somewhere Over The Rainbow" gives Carter and Degibri a chance to connect on a softer selection, while the emotionally riveting "Israeli Song"—along with "Liora"—are all about the saxophone-piano relationship. Mehldau adds some heightened drama to the former and the latter features some fun rhythmic toying.

The rest of the material hits on a variety of moods and subtle musical events are ever-present. Degibri's singing saxophone gently moves over Mehldau's roving piano on the pianist's "Unrequited," but Degibri builds to a more intense peak and seems to separate himself—sound-wise—from the band as time moves on. The saxophonist pays tribute to Carter—like saxophonist John Coltrane
John Coltrane
John Coltrane
1926 - 1967
saxophone
paid tribute to bassist Paul Chambers
Paul Chambers
Paul Chambers
1935 - 1969
bass, acoustic
("Mr. P.C.")—with "Mr. R.C." While Carter's solo here is a virtual clinic on taste and technical possibilities for the soloing string player, the way he always chooses the right notes as an accompanist—and works as a team player—is the real reason that Ron Carter is the preeminent bassist of our time. "Judy The Dog" is a peppy piece that weds swing and funk feels, and Foster is on fire during his own funk-laced "Look What You Do To Me." "Jealous Eyes"—the obligatory ballad—demonstrates brilliant pliability within the rhythmic creations of Carter and Mehldau, while "Manic Depressive" is a prime piece of gin-soaked bluesiness, complete with a terrific tenor performance from Degibri. Balance is the key to this record, and these 11 performances manage to be modern enough for the contemporary scene, traditional enough for those who don't tread in deeper waters and good enough to be considered one of the best recordings of the year.

Tracks: Unrequited; Mr. R.C.; Judy The Dog; Jealous Eyes; Manic Depressive; Bebop; Liora; Look What You Do To Me; Third Plane; Somewhere Over The Rainbow; Israeli Song.

Personnel: Eli Degibri: tenor saxophone, soprano saxophone; Brad Mehldau: piano; Ron Carter: bass; Al Foster: drums.

Style: Modern Jazz


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