Bill Charlap and Renee Rosnes: Double Portrait (2010)

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Bill Charlap and Renee Rosnes: Double Portrait
Many people believe that married couples have a telepathic connection. This recording puts that theory to the test, with two of the most important pianists in jazz today—who also happen to be husband and wife—sitting down for a duo piano recital.

Charlap's own work with drummer Kenny Washington - Vocals
Kenny Washington - Vocals
Kenny Washington - Vocals
b.1957
vocalist
and bassist Peter Washington has positioned him as one of the key voices in the piano trio format. His selection of standards and exquisite, classy recording projects have given him status as an arbiter of taste within the jazz world. While these aspects of his playing are Charlap's calling card, Rosnes is often lauded for two very different sides of her personality. Many in the jazz community have appreciated her ability to uphold the traditions of jazz, backing legends like J.J. Johnson
J.J. Johnson
J.J. Johnson
1924 - 2001
trombone
, James Moody
James Moody
James Moody
1925 - 2010
reeds
and Bobby Hutcherson
Bobby Hutcherson
Bobby Hutcherson
b.1941
vibraphone
since arriving Stateside in the mid-'80s, while another segment of the jazz listening public revels in her more adventurous exploits on her own recordings and with the SFJAZZ Collective
SFJAZZ Collective
SFJAZZ Collective
b.2004
band/orchestra
.

Neither pianist compromises their artistic inclinations on Double Portrait, instead merging effortlessly to create a tapestry of refined and tasteful statements. Both players balance a sensitive touch with deeply probing and responsive ideas. Song choices here make sly, joking reference to their personal connection ("Never Will I Marry"), nod toward former Rosnes employers Joe Henderson
Joe Henderson
Joe Henderson
1937 - 2001
sax, tenor
("Inner Urge") and Wayne Shorter
Wayne Shorter
Wayne Shorter
b.1933
saxophone
("Ana Maria"), and touch on standards ("Dancing In The Dark" and "My Man's Gone Now").

While every track is first-rate, the second half of the program posses greater heat and energy. The album opens with two Latin leaning compositions—Lyle Mays
Lyle Mays
Lyle Mays
b.1953
keyboard
' "Chorinho" and Antonio Carlos Jobim
Antonio Carlos Jobim
Antonio Carlos Jobim
1927 - 1994
piano
's "Double Rainbow"—and both pianists lock in well together, but don't seem to be completely engaged with the material. This all changes when the pair arrives at "Ana Maria," a nine-minute performance that's almost too short, with both players digging deeper, and exploring the open expanse of Shorter's composition. The duo arrives at a loose and appropriately dark place for "My Man's Gone Now," and they swing as well or better than any sans-rhythm section pair on "Dancing In The Dark." Pent-up intensity is present on their first rate take of "Inner Urge," while Gerry Mulligan
Gerry Mulligan
Gerry Mulligan
1927 - 1996
sax, baritone
's under-performed "Little Glory" is all class.

Charlap and Rosnes deserve all the happiness in the world for finding each other—personally and artistically—and the jazz community gets a little glimpse of this match made in heaven on Double Portrait.

Track Listing: Chorinho; Double Rainbow (Chovendo Na Roseira); Ana Maria; The Saros Cycle; My Man's Gone Now; Dancing In The Dark; Inner Urge; Little Glory; Never Will I Marry.

Personnel: Bill Charlap: piano; Renee Rosnes: piano.

Record Label: Blue Note Records

Style: Straight-ahead/Mainstream


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