. He's played with many musicians on the London scene since, but the Quintet is his first recording outfit. It's a great bandHick and Williams sounding in especially good formwith all five players working well together to bring life to the guitarist's writing.
There are elements of rock guitar, blues, free jazz and post-bop incorporated into Pereira's writing and the band members' playing. "Coffee Break" is a strong opening track. Underpinned by a slinky groove courtesy of Hick and bassist Ryan Trebilcock
, it grabs the attention with a solid riff from Pereira's guitar and the twin saxophones of Williams and James Allsopp. "The Machine" has a similar structure, mixing slinky and heavy in almost equal measure.
There's a gentler and more reflective mood on some of Pereira's other compositions, typified by the lovely "Reviravolta" and "Outras Paragens." "Andanças" occupies the middle groundmore urgent, with a little more tension, but without the heavier rock sound of "Coffee Break."
According to Pereira, the album title refers to the sound of the banda sound that opens doors to a diverse range of influences. Time was when any 'doors' reference in contemporary music seemed to come straight from Aldous Huxley's perceptual openings, so it's nice to see Pereira coming from a slightly different perspective. Doors certainly does benefit from this openness to musical influences, though. Pereira shows himself to be open to a myriad of stylistic inspirations without being overwhelmed by any single one, and the Quintet's debut bodes well for its future.
Track Listing: Coffee Break; Andanças; Reviravolta; The Machine; Outras Paragens; Doors; Leading to Something; Last Link in the Chain.
Personnel: Vitor Pereira: guitar; Chris Williams: alto saxophone; James Allsopp: tenor saxophone; Ryan Trebilcock: bass; Eddie Hick: drums.