Published since 2003
I came out of my musical hibernation circa 1960 and hit the streets for a new education on the past, present and future.
Frahm has chosen standards and jazz standards with a minimal number of original compositions so that the listener can easily gauge his performance with the many artists who have recorded tunes like "Don't Explain", "Smile" and "Get Happy". I don't hear any of the swagger of his tenor sax debut recording but that isn't what is called for here. His musical persona on the ballads is akin to Lee Konitz, although on tenor sax, both introspective and inherently swinging. Likewise Frahm's use of soprano sax on the Lennon-McCartney "Mother Nature's Son", "East of the Sun" and "Smile" displays probing lines rather than bold declarative sentences.
Brad Mehldau, one of the hottest piano figures of the past decade, acts here as a good foil and provides the piano feeds that are needed. Although he isn't given much solo space, Mehldau is playing a melodic backbone for Frahm's statements. Mehldau also occasionally uses a stride-like left hand on some up-tempo work. Since this is Frahm's date, we do not get the usual Mehldau liner notes which explain the Existential meaning of liner notes. Instead the two musicians individually reflect back to their high school years and what it meant to them. So this is a good multi-purpose album to start the New Year off with for wining, dining or romancing.
Track Listing: Don't Explain, Get Happy, Oleo, Round Midnight #3, Mother Nature's Son, East of the Sun, Turnaround, Away From Home, Smile, Round Midnight #1.
Personnel: Joel Frahm,tenor and soprano sax; Brad Mehldau, piano
Record Label: Palmetto Records
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