Dave Douglas & Keystone: Spark of Being

Dave Douglas & Keystone: Spark of Being
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Keystone's blend of electric and acoustic tonalities updates and reinvents the Miles Davisian furor of Douglas' recent endeavors with shades of hip-hop, courtesy of DJ Olive's turntable and laptop samples.
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Dave Douglas & Keystone

Spark of Being

Greenleaf Music

2010

Trumpet player and composer Dave Douglas has risen from the ranks of tenacious Downtown improvisers to become a leading force in creative mainstream jazz in the past decade. Regularly overshadowing perennial favorite Wynton Marsalis
Wynton Marsalis
Wynton Marsalis
b.1961
trumpet
in "Best Trumpeter" polls for the past few years, his liberal aesthetic encompasses everything from chamber-like small ensembles to international big bands, with his venerable Quintet and the electric sextet Keystone serving as two of his most enduring ensembles. Initially formed to perform live soundtracks to silent films like Fatty and Mabel Adrift (1915) and Moonshine (1917), Keystone has since grown in scope to embrace more modernist works.

Released in tandem with the 100th anniversary of the first Frankenstein film, Spark of Being is a multi-media project produced in collaboration with experimental film-maker Bill Morrison, best known for his 2002 work Decasia. Morrison's Spark of Being retells the original Mary Shelly story through found images and distressed archival footage, re-assembling old technology via new mediums—paralleling the original tale in both narrative and form. Working with Morrison on a score to accompany the film, Douglas has issued the finished project on his Greenleaf Music imprint in three separate editions, culminating in a comprehensive box set.

While each of the three albums shares obvious similarities, there are subtle differences. The first edition, Soundtrack, comprises long-form pieces edited to accompany the film in real time—the actual film score—an atmospheric confection of supple emotional cues that suits the dream-like narrative of Morrison's imagery perfectly. The second edition, Expand, contains extended performances of the original themes from the soundtrack, arranged in a traditional jazz album format that eschews the programmatic sequencing of the original score. Burst, the third edition, is an addendum of sorts. Consisting of additional variations on the basic themes as well as unused outtakes recorded at the initial session, it re-imagines aspects of the project as springboards for deeper investigation.

Keystone's blend of electric and acoustic tonalities updates and reinvents the Miles Davis
Miles Davis
Miles Davis
1926 - 1991
trumpet
ian furor of Douglas' recent endeavors with shades of hip-hop, courtesy of DJ Olive's turntable and laptop samples. This futuristic aesthetic sounded slightly at odds when juxtaposed with the pacing and tone of 1915's Fatty and Mabel Adrift, as featured on Keystone's self-titled 2005 Greenleaf debut. Here, in collusion with Morrison's style of editing and film manipulation, Keystone's electronic soundscapes sound more cohesive, more naturalistic.

An often ethereal and intermittently brash combination of moods, Soundtrack veers from the sublime tone poetry of "Is It You?" to the blistering funk of "Tree Ring Circus," regularly interspersed with interludes from the heartbreaking "Creature" motif—one of Douglas' most indelible creations. Sequenced to follow the film's narrative arc, the unaccompanied score occasionally suffers the constraints of sudden transitions synched to scenes from the film, disrupting the organic flow of the music. Devoid of visual cues, the score elicits the standard limitations of any soundtrack—a tantalizing taste of heavily edited longer form pieces. Fortunately, Expand and Burst redress this issue.

Expand takes a handful of the core themes from the edited soundtrack and recasts them as traditional theme and variation styled improvisations, providing a window into the tunes' full potential—with often impressive results. "Creature" exemplifies this approach, extrapolating the film's dulcet core motif into an episodic workout highlighting the theme's innate lyricism with a string of evocative solos. More concise than the soundtrack version, "Tree Ring Circus" offers Gene Lake
Gene Lake
Gene Lake
b.1966
drums
a stirring foundation for his roiling peals of percussive thunder, accompanied by Brad Jones' throbbing bass pulse, the stabbing staccato of Adam Benjamin's overdriven Fender Rhodes, and the horn's fulsome tuttis. Freed from narrative constraints, Marcus Strickland
Marcus Strickland
Marcus Strickland

saxophone
's soulful tenor testimonial on "Chroma" derives sustenance from the rhythm section's hypnotic ostinato, with Douglas plying an equally affecting muted solo. Stripped of the lush electronic washes that dominate the film version, an opulent interpretation of "Prologue" closes Expand, as Douglas, Strickland and Benjamin wax poetic through the album's dreamy finale.

Burst pushes the conceptual ideas of the previous two volumes further, conferring a futuristic slant to the original project by alternating heavily processed funk with ambient minimalism. Imparting sonic continuity and stylistic variation, "Tree Ring Vamp" compresses the energy of prior versions into a two minute burst of frantic polyrhythms that spotlight DJ Olive's turntable scratching, while the atmospheric "Creature Discomfort" exudes chill room ambience. An unedited take of "Travelogue" restores Douglas and Strickland's tortuous solos to their original length, eliminating the ethereal coda of the soundtrack version in favor of a pulsating late-period fusion vamp that invokes the past and future simultaneously. A muscular interpretation of "Split Personality" receives similarly aggressive treatment, with the punchy hard-bop of "Vitalism" establishing historical lineage to the jazz tradition.

Despite the remarkable quality of the music, the size of Spark of Being does present certain logistic difficulties for the casual listener. Fans and collectors will be undeterred by three album's worth of similar material, but for the merely curious, it is a somewhat daunting collection—with Expand being the only edition currently available through regular distribution channels. Keystone's 2005 self-titled debut thoroughly resolved this dilemma. A double disc set priced as a single album, it included a DVD of the 1915 silent film Fatty and Mabel Adrift set to Douglas' original score, and a CD of extended improvisations based on the soundtrack's themes. Though the box set of Spark of Being contains some truly wonderful music—some of Douglas' most lyrical in fact—it does not include a copy of Morrison's film. A comprehensive project of this magnitude needs to be seen as well as heard to fully appreciate its scope, which begs the question: How many will have the time and resources to truly experience it in all its permutations?

Tracks and Personnel

Spark of Being: Soundtrack

Tracks: Creature Theme; Spark Of Being; Observer; Travelogue; Prologue; Tree Ring Circus; Creature and Friend; Is It You?; Chroma; Observer Claymation; Observer Animation; Split Personality; Creature Alone.

Personnel: Dave Douglas: trumpet, laptop; Marcus Strickland: tenor saxophone; Adam Benjamin: Fender Rhodes; Brad Jones: Ampeg baby bass; Gene Lake: drums; DJ Olive: turntables, laptop.

Spark of Being: Expand

Tracks: Spark of Being; Creature; Tree Ring Circus; Observer; Chroma; Travelogue; Prologue.

Personnel: as disc one.

Spark of Being: Burst

Tracks: Leaving London; Creature Code; The Growing Tree; Vitalism; Creature Discomfort; Split Personality; Tree Ring Vamp; Travelogue; Leaving London Reprise; Creature Theme.

Personnel: as disc one.

Photo Credit

Dave Douglas by Robert Cable

Style: Modern Jazz


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