Taiko is a powerful cultural asset in Japan. It is an ancient form, yet a new invention. In many regions festivals are celebrated throughout the year based on seasonal changes. People enjoy these festivals for they provide an escape from the daily obligations they must endure. These festivals also draw people together. The community helps to make the festival a success, and each person is valued as an important member of the community. The new styleTaiko Ensemblecreated by Daihachi Oguchi, provides a means for large numbers of people to participate in taiko performances.
Along with Kabuki theater and "ukiyoe" woodblock prints, taiko is one of Japan's most popularand respectedart forms in the West. Part dance and part athletics, modern taiko can be dazzlingly visual and acrobatically physical. Taiko, especially the big ones that tower over the drummers, make dramatic booming sounds. A taiko drum is made from a single hollowed out tree trunk with cowhide strapped tightly across it. Thanks partly to Oguchi and his followers' efforts, hundreds of taiko groups, both professional and amateur, have sprung up not only throughout Japan but also in the U.S., Brazil, Europe and other nations. Oguchi also was one of the first composers of modern taiko, writing catchy tunes based on historical themes, such as samurai storming on horses, and helping make taiko a household word in Japan.
Oguchi helped found top U.S. taiko groups, including San Francisco Taiko Dojo, which has performed in Hollywood movies and on international tours since its founding 40 years ago. His film work includes Deep Rising (1998), "Amano-Naru-Tatsuo Dai-Kagura" (arranger), and Step Across the Border (1990) (musician). But his influence on today's film soundtracks goes well beyond.
The advent of Lucas Films THX sound system and the wrap around sound has heightened the theater going experience. Following, special effects and omnipresent chase scenes are part in parcel integrated into films.
All which has the effect on the soundtracks with increasing expansion of the percussion section in the orchestra. With bigger and better, wilder chase scenes each out doing that last, with wilder and louder musical scores. The heavy bottom bass frequency being moved deeper to match. When once the back percussion section of the orchestra you'd find typically several tympani, now Oguchi's influence you most often find rows of various and large taiko drums filling the ever expanding percussion ranks.
Big Fat Drum Origins
Taiko, a word that in Japanese means simply "Big" or "Fat Drum," is a musical form firmly associated with Japanese cultural heritage; for some it is considered the heartbeat of Japan. Its origins are uncertain but it is known that it dates back as far 600 A.D. and was originally brought to Japan with the introduction of Buddhism. In Japan the taiko drums have been used in a variety of settings: agrarian, sacred, military, theater, and the royal court. During the 1970s, taiko drumming saw a resurgence as the Japanese government allocated funds to preserve Japanese culture.
Japanese immigrants had brought taiko to North America in the early 1900s and its growth in popularity was spearheaded in the early 1960s and 1970s primarily by master taikoists in San Francisco, Los Angeles, and San Diego. Today it is estimated there are as many as 8000 taiko groups in Japan, 1000 groups in North America, and hundreds more around the world. Weeklong festivals attract thousands, it is taught in taiko schools and university programs, and there is even a video game Taiko Drum Master.
Taiko is usually performed today as an ensemble, including an array of shapes and sizes of drums. Gongs of various size and shape add musical depth, a bamboo flute occasionally offers a melody, and vocals provide additional punctuation and texture. Typically each performer carries a particular rhythm on one or more drums; together the musicians rotate around the drums in very athletic, highly choreographed arrangements. It is no wonder that many contemporary taiko performers are also dancers and athletes.
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