Cowboy Mouth with the Cringe B.B. King's Blues Club & Grill New York, NY July 17, 2014
Cowboy Mouth is a rock 'n' roll band formed in New Orleans, Louisiana, in the early 1990s during grunge's heyday. Its sound is best described as a musical gumbo mixing gritty rock, punk, blues, new wave, swamp pop, rockabilly and a touch of New Orleans funk. Some of the band's most popular songs include "Voodoo Shoppe," "Joe Strummer," "Light It On Fire," "Everybody Loves Jill," "Disconnected," and "Jenny Says." It has also covered Bruce Springsteen ("Born To Run"), Bo Diddley
In a previous life, Cowboy Mouth's Fred Leblanc must have been either an evangelist preacher or a carnival barker. The man is a marvel. As a front man, he has no peer. He is outrageous. He is funny. He is a whirling dervish of energy, enthusiasm and OCD all rolled into one being, with the spirit of rock 'n' roll coursing through his veins. During the course of every performance LeBlanc (who religiously asks the question "Are you with me?" during his speeches to the adoring crowd), gets himself and the fans so riled up and excited that by the end of the concert, both he and the fans are spent and soaked in sweat. For the uninitiated or those who haven't already surmised it, a Cowboy Mouth concert is an audience participation event. One of Leblanc's favorite catchphrases is a call-and-response offering where he yells, "The name of the band is..." and the audience, in unison, screams, "Cowboy Mouth!" This is repeated not once, not twice but upwards of four times. It is repeated numerous times during the course of a show.
Now, a Cowboy Mouth concert is not all sunshine and rainbows. Many of the group's songs are about hardship, loss and sorrow. They're not sad, but they are about hardship and overcoming it. Leblanc and company's high octane performance always feature the life-affirming message that it's good to be alive. This is achieved through some outrageous rituals that a less charismatic group of musicians and singer could not pull off. Among the practices are being commanded to hug the stranger to the right and conversely to the left and throwing red spoons at the stage (and for the most part, at Leblanc) during a specific passage of the song "Everybody Loves Jill." Its performance on this warm, slightly humid July evening featured all of that and more.
On this evening, B.B. King's was set up in an effort to maximize the sweat. A dance floor was created by removing all of the tables directly in front of the stage. The result: an area near the stage for Leblanc to commune up-close-and personal with his people and an area where the faithful could simultaneously shake, rattle and roll their asses off to the raucous beat of the incredibly energetic songs of Leblanc, John Thomas Griffith (guitar), Matt Jones (guitar) and Brian Broussard (the latest in a revolving line of bassists (actually its eighth, recently replacing the departed Casandra Faulconer). Surrounding this dance floor were a few dozen plush leather booths. The club, nestled below New York City's bustling 42nd Street, also features a bar in the back that runs the length of the venue. The people at the bar and in the booths were not safe. Leblanc, who is known to leave his perch behind the drums, waded barefoot into the audience and brought the whole of the crowd out onto the dance floor. When one woman balked, Leblanc good-naturedly growled, "If you're not coming out, then I'm taking your food." With that he grabbed her plate and quickly exited through the artist's entrance into the bowels of the club, reappearing within seconds sans the audience member's entrée.
The evening began with an energetic and eye-opening set by New York City's the Cringe, led by singer/guitarist John Cusimano (who also happens to be Rachael Ray's husband). The Cringe is a four-piece indie rock outfit. Its sound is equal parts power pop, alternative rock, punk, garage band rock, and pure old-fashioned rock 'n' roll. In addition to Cusimano, the group is rounded out by lead guitarist James Rotondi, bassist Jonny Matias and drummer Shawn Pelton. Opening with a blast of rhythmic backbeat drumming and power chords, the band blasted through a short set of songs that got the crowd on its feet and into a party frame of mind. Highlights included the new song "You've Changed" (which was announced as having been written only two weeks prior), "I Can't Walk Away" from Tipping Point (Listen Records, 2007) and covers of Thin Lizzy's "Jailbreak" and Black Sabbath's "Paranoid," as well as "Gotta Find A Way" and other selections from Hiding in Plain Sight, the group's 2012 Listen Records release. As the Cringe left the stage, one audience member was heard exclaiming, "I don't know anything about them, but I'm sure gonna find out! "