The Afro-Cuban connection is slightly transformed on nascent pianist David Virelles' inspirational trio set, featuring modern jazz luminaries, bassist Ben Street and drummer Andrew Cyrille. With his second solo outing and first for PI Recordings, the pianist has quickly surged to the forefront since migrating from Cuba to Canada, supporting distinguished saxophonist Jane Bunnett and receiving the first-ever Oscar Peterson Award.
On "The Executioner," Virelles commingles traditional Latin jazz values with futuristic ideologies and benefits from Cuban folklorist, percussionist Roman Diaz 's prophetic recitations amid a series of highs, lows, and topsy-turvy passages. Using space as a fourth instrument where the musicians spawn a medium-tempo movement, leading to Cyrille's poetic solo, they subsequently propagate an open-ended musical vista. However, Virelles' supply executed and quietly melodic chord clusters segue to Diaz's forceful spoken word spot towards the finale. The pianist ups the ante with thick block chords and serves as the recipient of Diaz' articulations during a brief, yet conversational opus. The trio generates quite a bit of high heat on other tracks, but Virelles also conveys maturity by working within deftly enacted textural elements, while accenting, shadowing and stirring the plot along the way.
Track Listing: Track #1; Track #2; Track #3.
Personnel: David Virelles: piano, pump organ, Wurlitzer organ; Ben Street: acoustic bass; Andrew Cyrille: drums, cowbells, gongs, maracas, hoe, miscellaneous percussion.
I love jazz because I was born and raised here in America, and it is one of the most significant cultural contributions we have given to the world. It is an incredibly sophisticated artform that continues to challenge boundaries while delighting and engaging listeners of all different ages and backgrounds
I love jazz because I was born and raised here in America, and it is one of the most significant cultural contributions we have given to the world. It is an incredibly sophisticated artform that continues to challenge boundaries while delighting and engaging listeners of all different ages and backgrounds. I love how jazz can involve musicians who may have never met each other can coming together and making incredible music by referring to the Great American Songbook and musicians who have been playing together for years, who have a deep connection and who explore and create original music that is at the cutting edge of musical innovation in every sense. Performing jazz music requires a virtuosity and technique that only strict discipline can teach as well as a spontaneity and playfulness that reflects the simple folk roots of the music.
I was first exposed to jazz as a student in college. Only knowing I wanted to play guitar, I enrolled in an applied music program that focused on Jazz rhythm section playing. The subsequent journey that I have been on since the time that I enrolled in that class has helped me grow not only as a musician but more so as a person.