Pete Zimmer: Common Man

Tenor saxophonist Joel Frahm, known for his work with singer Jane Monheit as well as the three Palmetto recordings under his own belt (including his recent album of duets with pianist Brad Mehldau, Don't Explain ), is the most recognizable name of the set. For a player who appeared on the scene roughly seven years ago, he has a similar conception to Chris Potter, with an imposing sound and ability to compose meaningful solos, even in the short durations he is allowed on this recording. Trumpeter Michael Rodriguez has a warm mid-range sound that recalls Lee Morgan and, to a lesser extent, Woody Shaw.

Unlike some drummer-led ensembles, however, Zimmer doesn't force his dominance in the group, opting instead for a more collective sound. While new to the New York scene, his unfailing sense of groove and light yet imaginative swing are establishing him as one to watch. But this session is as much a showcase for his skills as a composer as it is a vehicle for his fine playing. "Search" explores Afro-Cuban territory, while "Road Taken" is a dreamy waltz with an intriguing melody that, like all his compositions, is eminently singable yet harmonically deceptive—simple sounding, but on further inspection, revealing of a richer foundation, also featuring a delicate arco solo from bassist John Sullivan. The title track, found in two versions, one with pianist Toru Dodo, the other with alternating pianist Rick Germanson, comes straight from the Jazz Messengers school; both versions swing nicely and feature relaxed solos from Frahm and Rodriguez, with Zimmer connecting more than once with their thematic constructs.

There's something to be said for music that is unassuming and appealing on a purely instinctive basis. Common Man covers familiar territory and develops no new concepts. Still, its intelligent, accessible and engaging approach as a known entity serves as a solid introduction to a number of players from whom more will no doubt be heard from in the future.

Visit Pete Zimmer on the web.

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