Matthew Halsall: Colour Yes (2009)

By Published: | 8,042 views
How we rate: our writers tend to review music they like within their preferred genres.

Matthew Halsall: Colour Yes
Just gorgeous. Manchester-based trumpeter Matthew Halsall's second album ploughs the same delicate, acoustic, modal jazz furrow as his debut, Sending My Love (Gondwana, 2008). The lineup of fellow Mancunians is much the same too, with flautist Roger Wickham replaced by harpist Rachael Gladwin on three of the six tracks. Just so there's no mistaking where Halsall is coming from, the cover art is also a near-clone of that used on the first disc.

Colour Yes will delight fans of the dreamy astral jazz played by pianist/harpist Alice Coltrane
Alice Coltrane
Alice Coltrane
1937 - 2007
piano
, and that of saxophonists John Coltrane
John Coltrane
John Coltrane
1926 - 1967
saxophone
and Pharoah Sanders
Pharoah Sanders
Pharoah Sanders
b.1940
saxophone
in their more reflective moments. Above all, it will bring a warm glow to enthusiasts for trumpeter Miles Davis
Miles Davis
Miles Davis
1926 - 1991
trumpet
and pianist Bill Evans
Bill Evans
Bill Evans
1929 - 1980
piano
circa Kind Of Blue (Columbia, 1959). They may also be grateful that Halsall does not, at this point in his career anyway, feel the need to adopt Davis' dictum: "I always gotta change, it's like a curse." In the case of Colour Yes, more of the same, lovely, gently swinging, uncomplicated beauty is a blessing.

Halsall is the possessor of a singularly bright trumpet tone, which shimmers throughout the album free of mutes or any noticeable post-production electronic manipulation. The six tunes, all of them originals, range from the leisurely to the slow, the pace and intensity heating up only on the bouncy dance track "Mudita." On the first three tracks, Halsall sits out the first three minutes or so, allowing saxophonist Nat Birchall to state the theme and set the mood. Birchall is another joy; his soprano is pretty and nimble, and so too is his tenor, on which he favors the upper register approached from much the same direction.

It's sometimes said of a post-Bill Evans pianist that he or she places as much importance on the space between notes as on the notes themselves, and this is abundantly true of Halsall's pianist, Adam Fairhall, and his less-is-more style. It's also true of Gladwin. Avoiding the temptation simply to reprise Alice Coltrane
Alice Coltrane
Alice Coltrane
1937 - 2007
piano
's approach to the instrument, Gladwin replaces Coltrane's cascading waterfalls of sound with carefully picked single note phrases punctuated by block-chorded comping. Her solos on "Together" and, in particular, on the album's 13-minute centerpiece, "I've Been Here Before," are highlights of the set.

Bassist Gavin Barras and drummers Gaz Hughes (four tracks) and Marek Dorcik (two) provide unobtrusive but softly pulsing rhythms, while Hughes uses his sticks more emphatically to propel the aforementioned "Mudita" forward.

Late-night listening par excellence, Colour Yes also has depth, focus and integrity. It doesn't waste words, and it says a lot.

Track Listing: Colour Yes; Together; I've Found Joy; Mudita; I've Been Here Before; Me And You.

Personnel: Matthew Halsall: trumpet; Nat Birchall: soprano saxophone, tenor saxophone; Adam Fairhall: piano; Gavin Barras: bass; Gaz Hughes: drums (3-6); Marek Dorcik: drums (1, 2); Rachael Gladwin: harp (2, 5, 6).

Record Label: Gondwana Records


comments powered by Disqus
Sponsor: ECM Records | BUY NOW

Enter it twice.
To the weekly jazz events calendar

Enter the numbers in the graphic
Enter the code in this picture

Log in

One moment, you will be redirected shortly.

or search site with Google