How we rate: our writers tend to review music they like within their preferred genres.
Any vocalist who can take an old chestnut like "St. James Infirmary" and make it swing and crackle like never before, as Cassandra Wilson did on the wonderful Loverly(Blue Note, 2008), is surely something a bit special. Wilson's ability to make old material sound freshly minted is nothing new however, and Closer to You: The Pop Side isn't a quickly recorded cash-in on the cross-over appeal of Loverly, but a compilation of very personal interpretations of popular songs she has recorded over the years.
What's striking about this compilation, is just how much of a blues singer Wilson is at heart. Slowing things down on "Last Train to Clarkesville," Wilson breathes a poignancy into the "coffee-colored kisses" and "a bit of conversation" that the original never had. When her dusky bass vocal ponders: "...and I don't know if I'm ever coming home," it's certain she won't. "I Can't Stand the Rain" is another unlikely tune similarly transformed into a pre-electric blues which sounds as timeless as if dusted off from the lost Robert Johnson songbook. Accompanied beautifully by Chris Whitely on acoustic slide guitar, this is Wilson at her impressionistic best, every word and cry heavy with emotion. Elsewhere, Wilson gives a fairly faithful, yet heart-felt rendition of Van Morrison
, perhaps the one singer of the last quarter of a century with whom it is possible to compare Wilson: both Mitchell and Wilson are adventurous singers; both are romantics at heart; and both work lyrics like sculptors. It would be easy to imagine Mitchell doing something similar to Wilson's bewitching take on Cindy Lauper's "Time after Time." Like Mitchell, Wilson makes a pop tune sound like the blues, injects jazz swing at will, and blends genre and styles with her voice so smoothly that such considerations cease to matter.
Mitchell suffered unfairly from a pop world uncomfortable with her jazzy leanings, and a jazz community which perhaps regarded her with uncertainty. But Mitchell was ahead of her time, and laid the ground for singers like Cassandra Wilson to work their own magic with whatever material they wish. And work her magic Wilson does.
Track Listing: Love is Blindness; Time after Time; Fragile; Closer to You; Last Train to Clarkesville; The Weight; Tupelo Honey; Harvest Moon; I Can
Personnel: Cassandra Wilson: vocals; Lawrence "Butch" Morris, coronet (1); Brandon Ross: acoustic guitar, octave guitar and steel guitar (1, 5, 7, 8,10); Kevin Breit: acoustic guitar, bozouki, electric guitar, mandolin, slide resonator guitar and banjo (1, 5, 6, 8, 11); Lonnie Plaxico: bass (1, 2, 5, 7); Marvin Swell: acoustic guitar (2, 6, 11); Doug Wamble: acoustic guitar (2); Jeffrey Haynes: percussion (2, 3, 6, 10, 11); Cecilia Smith: marimba (2); Perry Wilson: drums (2); Fabrizio Sotti: guitar (3); Reginald Veal: acoustic upright bass (3, 4, 10); Teri Lynne Carrington: drums (3); T-Bone Burnett: guitars and vocals (4); Keefus Ciancia: keyboards and piano (4); Jim Keltner: drums (4); Dougie Brown: drums and vibes, whistling and lampshades (5, 8); Mark Peterson: acoustic bass (6, 8, 11); Cyro Baptista: percussion (6, 8, 11); Xavyon Jamison: drums (6); Charlie Burnham: violin (7); Kevin Johnson: percussion (7); Lance Carter: drums (7); The Peepers: background vocals (8); Chris Whitely: guitar (9); Calvin Jones: acoustic upright bass (10).