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Clean Feed Records: Eat the Plate

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Clean Feed records, founded in 2001, has been the most prolific and adventurous label for jazz this new century. Based in Lisbon, Portugal their offerings have included many of jazz's old guard including reed players Evan Parker
Evan Parker
Evan Parker
b.1944
sax, tenor
, Paul Dunmall
Paul Dunmall
Paul Dunmall
b.1953
saxophone
, Charles Gayle
Charles Gayle
Charles Gayle
b.1939
saxophone
, Vinny Golia
Vinny Golia
Vinny Golia
b.1946
reeds
and Anthony Braxton
Anthony Braxton
Anthony Braxton
b.1945
reeds
and trumpeters Dennis Gonzalez
Dennis Gonzalez
Dennis Gonzalez
b.1954
trumpet
and Herb Robertson
Herb Robertson
Herb Robertson
b.1951
trumpet
, along with current innovators bassist Joe Morris
Joe Morris
Joe Morris
b.1955
guitar
and reed players Ken Vandermark
Ken Vandermark
Ken Vandermark
b.1964
saxophone
, Rudresh Mahanthappa
Rudresh Mahanthappa
Rudresh Mahanthappa
b.1971
sax, alto
and Tony Malaby
Tony Malaby
Tony Malaby

sax, tenor
, to name just a few.

Clean Feed's reach seemingly has no bounds, featuring the greatest players alongside new names in jazz. As with the Blue Note or Impulse! jazz labels of the 1960s, listeners can be assured a consistent presentation of high quality music no matter if the name on the album cover is familiar or not.

Marty Ehrlich Rites Quartet
Things Have Got To Change
Clean Feed
2009

Saxophonist Marty Ehrlich

Marty Ehrlich
Marty Ehrlich
b.1955
reeds
has been a mainstay of the New York jazz scene for decades. He founded the Dark Woods Ensemble and has recorded with everyone from pianist Andrew Hill
Andrew Hill
Andrew Hill
1937 - 2007
piano
to saxophonists John Zorn
John Zorn
John Zorn
b.1953
sax, alto
and Ehrlich's hero, saxophonist Julius Hemphill
Julius Hemphill
Julius Hemphill
1938 - 1995
sax, alto
. Of late, he has been producing long thematic works. This quartet session is a bit of a change, a variety of shorter pieces that delight the ears with crisp solos and swinging interplay.

The cast includes familiar and distinctive players negotiating five tracks by Ehrlich and three from Hemphill. Hemphill's compositions are joyfully produced, with the semi-classic "Dogon A.D." acting as the anchor here. The band, solidified behind drummer Pheeroan AkLaff

Pheeroan AkLaff
Pheeroan AkLaff
b.1955
drums
who negotiates the bluesy piece as a bouncy vehicle for each solo. Ehlrich's coughing alto aligns with Eric Friedlander's cello in syncopation to the beats. Elsewhere, the cello offers that slightly different (from a bass) feel on the track "On The One," that makes this music feel as if it has a mind to be a chamber ensemble, but with the recklessness of a nightclub band. Maybe it is the untamed trumpet work of James Zollar
James Zollar
James Zollar
b.1959
trumpet
that keeps the music real. This is one of those special recordings that begs for more.

Samuel Blaser
Pieces Of The Old Sky
Clean Feed
2009

Swiss-born, New York-trained Berlin resident trombonist Samuel Blaser

Samuel Blaser
Samuel Blaser
b.1981
trombone
begins his Clean Feed debut with a 17-minute meditation by his quartet of Todd Neufeld (guitar), Thomas Morgan (bass) and Tyshawn Sorey
Tyshawn Sorey
Tyshawn Sorey
b.1980
drums
(drums). The dreamlike and ponderous pace acts as a slow motion series of features for brooding trombone and guitar. Likewise, "Madala" stirs emotions by way of its deliberateness and pace-building for tension. Sorey is the suitable choice for the drum seat. He has developed a knack for playing that is beyond jazz, using his kit as a frontline player. Both "Red Hook" and "Speed Game" up the ante, elevating the pace and forcing a bit more tension into the music. Blaser responds with shorter thoughts and tighter solos, but those flowing notes remain.

Harris Eisenstadt
Canada Day
Clean Feed
2009

Canadian-born drummer Harris Eisenstadt

is quickly becoming known as a modern jazz composer/arranger to watch. His work is thoroughly modern, with elements of West African drumming. His music is reminiscent of the innovations saxophonist Wayne Shorter
Wayne Shorter
Wayne Shorter
b.1933
saxophone
was introducing in the 1960s on Blue Note. His Quintet Canada Day concentrates on group improvisation, forwarding the individual sounds of saxophonist Matt Bauder, vibraphonist Chris Dingman
Chris Dingman
Chris Dingman
b.1980
vibraphone
, trumpeter Nate Wooley
Nate Wooley
Nate Wooley
b.1974
trumpet
and bassist Eivind Opsvik to bear on these eight compositions.

The quintet negotiates the drummer's penchant to change time and rhythmic patterns within a song while maintaining the groove. "Everyday Is Canada Day" begins with dreamy vibes before the band enters, building the song from a simple platform. Wooley's trumpet solo bumps against the vibes with its temerity and coarseness. Eisenstadt is blending sounds here to great effect, as he does on "After An Outdoor Bath." He never seems to forget the pleasures of listening when he is making music.

Nobuyasu Furuya
Bendowa
Clean Feed
2009

Lisbon-based saxophonist Nobuyasu Furuya takes a walk around with the saxophone masters of energy jazz: Peter Brotzmann, Frank Lowe and Roscoe Mitchell. Bendowa might have been mistaken for an early AACM recording. The Japanese-born reedsman and flutist plays here in a Portuguese trio with Gabriel Ferrandini (drums) and Hernani Faustino (bass). While the music pushes the outer edge, it never breaks down into a noise-fest. The steady groove of Ferrandini and Faustino allow for Furuya to apply his craft. His tenor on "Track 1" splats big strokes of paint all over the canvas, while "Track 2" finds him playing more traditional sounds (Japanese?) on his flute. The aggressive bass clarinet notes heard on "Track 5" float and dive into the rolling maelstrom of bass and drum animation. This is free jazz, coming from a classically trained reedsman. Maybe this new "new thing" music is the best thing to come from globalization.

Ze Eduardo Unit
Jazz Ar: Live At Capuchos
Clean Feed
2009

A mover and shaker in the Portuguese jazz scene for decades, the bassist Ze Eduardo would be comfortable playing with Han Bennink and the ICP Orchestra, Roy Nathanson's Jazz Passengers or Steven Bernstein's Millennium Orchestra. His brand of jazz doesn't skip humor as an element of the music, and the audience responds affirmatively on this October 2008 live date. His trio, or unit, is composed of tenor saxophonist Jesus Santandreu and drummer Bruno Perdroso, both heard on the previous release A Jazzar no Zeca: A Musica de Jose Afonso (Clean Feed, 2004).

Don't get the wrong impression, this is serious music making. The band just loves what they do. Their take on "The Simpsons" theme is in no way camp. The band lays down a solid groove, phrasing the familiar cartoon theme here as they do with other cartoons characters here. Their "serious" music includes the coughing interludes on "Abelha Maia" that never miss a beat between bits and pieces of "Santa Lucia." This agreeable recording is music making at the highest level, it just happens to be very jocular.

Pinton / Kullhammar / Zetterberg / Nordstrom
Chant
Clean Feed
2009

From Sweden comes a quartet of improvisors that were assembled for a series of concerts and this recording. All four have played together in various ensembles, but this combination, a "power" ensemble, displays a tenacity that yields special results. The musicians are saxophonists Alberto Pinton

Alberto Pinton
Alberto Pinton
b.1962
sax, baritone
and Jonas Kullhammar
Jonas Kullhammar
Jonas Kullhammar
b.1978
saxophone
, bassist Torbjrn Zetterberg and drummer Kjell Nordeson. The piano-less quartet effects a harmonious sound from the baritone and tenor combination on the majority of tracks. Pinton and Kullhammar make this a friendly competition for space and solos, exercising sonic demons on "Chantpagne," as the timekeepers Zetterberg and Nordeson keep the pulse and intensity level quite high. The possibilities for this music are boundless. The pliant dueling baritones march to "Den Stora Vantan" while all the music making is done by the drummer.

The obvious homage here, "Cross/For Bluiett," has saxophonist Hamiet Bluiett

Hamiet Bluiett
Hamiet Bluiett
b.1940
sax, baritone
's outward jazz vision in mind as it sails a chamber blues into the audience's ears. The band ends with "Mount Everest," a direct reference to the Swedish free jazz band of the same name whose passion for saxophonists Albert Ayler
Albert Ayler
Albert Ayler
1936 - 1970
sax, tenor
and Ornette Coleman
Ornette Coleman
Ornette Coleman
b.1930
sax, alto
are shared by our heroes. The wow-factor is increased with every track heard on this excellent disc.

Julio Resende
Assim Falava Jazzatustra
Clean Feed
2009

The unforgettable pianist Julio Resende performs this live set in Lisbon with his band and a few special guests. Assim Falava Jazzatustra follows his 2007 release Da Alma (Clean Feed). Here he summons a quartet with the notable Spanish saxophonist Perico Sambeat

Perico Sambeat
Perico Sambeat
b.1962
saxophone
and the most excellent Swedish bassist Ole Morten Vagan. The music is a blend of rhythmic and percussive jazz that is instantly agreeable. Resende's piano can at times give off the Cuban vibe, as on "Perico Sambeat," or a classical sound, as on "Ir F Voltar." On the latter track the band is joined by vocalist Manuela Azevedo from the pop band Cla. The band's rocked-out take on "Boom!" finds Resende's piano ringing bell-like throughout. He plies the keyboard with such a predatory feel here. In contrast, his cover of the Pink Floyd song "Shine On You Crazy Diamond" is elegant and sanguine as he negotiates the nostalgic piece. Worth the price of admission to that concert, his rendering of that classic song is priceless.

Charles Rumback
Two Kinds Of Art Thieves
Clean Feed
2009

Chicago drummer Charles Rumback

Charles Rumback
b.1980
drums
leads a quartet of like minded musicians on a very introspective album. Rumback is a member of bands varying from post-rock to electronica, including Colorlist, The Horse's Ha and Fred Lonberg-Holm's Lightbox Orchestra. Here he employs bassist Jason Ajemian (Dragons 1976, Rob Mazurek, Bill Dixon), tenor saxophonist Greg Ward (Mike Reed's Loose Assembly, People Places & Things) and alto saxophonist Joshua Sclar (Westport Art Ensemble). The music is characterised by paced, even-keeled, small gestures of sound. Often Rumback is playing quiet fingers on his drums while the saxophonists whisper notes in exchanges that are more late-night conversation than trading fours. The music, thoroughly composed, prefers to make its case with quiet gesticulation and soft melody. The slightest sound makes a large impact here. An impressive debut.

Weightless
A Brush With Dignity
Clean Feed
2009



These live dates from October 2008 in Germany mark the coming together of UK artistsJohn Butcher

John Butcher
John Butcher

saxophone
(saxophones) and John Edwards (bass) and Italians Alberto Braida (piano) and Fabrizio Spera (drums). All four had played together in varying combinations before, but the Weightless tour of Italy and Germany was their first as a complete unit. The natural combination of saxophone, piano, bass and drums gives listeners an accustomed lineup, but the music making (as you might not be surprised) is far from traditional.

The disc opens with "Apre," a stellar piece of energy jazz that builds momentum as the players trade off duos and solos. What is remarkable here is the distribution of sound. A mark of seasoned players, the music is never crowded: all parts are distinctive and can be set apart in listener's ears. Quite the feat for instantly composed music. The remaining tracks settle into an agreeable sense of interplay. Butcher is more inclined towards his extended techniques and the others follow suit. As with all free music, different parts are compelling for different listeners. The live (in concert) experience is quite unlike that of the recorded listen. That said this is a fine recorded listening experience.


Tracks and Personnel

Things Have Got To Change

Tracks: Rites Rhythms; Dung; Some Kind of Prayer; On The One; Slices of Light; Song for Tomorrow; From Strength to Strength; Dogon A. D..

Personnel: Marty Ehrlich: alto saxophone; James Zollar: trumpet; Erik Friedlander: cello; Pheeroan AkLaff: drums, percussion.

Pieces Of Old Sky

Tracks: Pieces Of Old Sky; Red Hook; Choral I; Mystical Circle; Mandala; Speed Game; Choral II.

Personnel: Samuel Blaser: trombone; Todd Neufeld: guitar; Thomas Morgan: double bass; Tyshawn Sorey: drums.

Canada Day

Tracks: Don't Gild the Lilly; Halifax; After an Outdoor Bath; And When to Come Back; Keep Casting Rods; Kategeeper; Ups and Downs; Every Day is Canada Day.

Personnel: Nate Wooley: trumpet; Matt Bauder, tenor saxophone; Chris Dingman: vibraphone; Eivind Opsvik: double bass; Harris Eisenstadt: drums, compositions.

Bendowa

Tracks: Track 1; Track 2; Track 3; Track 4; Track 5.

Personnel: Nobuyasu Furuya: tenor saxophone,bass clarinet, flute; Gabriel Ferrandini: drums, percussion; Hernani Faustino: bass.

Jazz Ar: Live At Capuchos

Cantiga De Rua; Abelha Maia; Grandole; Dartacao; Balada Da Rita; Noddy; The Simpsons.

Personnel: Ze Eduardo: double bass; Jesus Santaandreau: tenor saxophone; Bruno Pedroso: drums.

Chant

Tracks: Chantarello; Soul Samurai; Martyricon; Chantpagne; Den Stora Vntan; How Much Can You Take in One Evening; Cross/For Bluiett; Oslo Undercover; Let Ring; Mount Everest.

Personnel: Alberto Pinton: baritone saxophone, clarinet; Jonas Kullhammar: tenor saxophone, baritone saxophone; Torbjorn Zetterberg: double bass; Kjell Nordeson: drums, vibraphone.

Assim Falava Jazzatustra

Tracks: Don't; Sakatwala Progressive Kuduro For My Family; Ir E Voltar; Shine On You Crazy Diamond; Boom!; Caixa Registadora; Jazz.Pt (encore).

Personnel: Julio Resende: piano; Perico Sambeat: alto saxophone; Ole Morten Vagan: double bass; Joel Silva: drums; Desiderio Lazro: tenor saxophone; Joao Custodio: double bass; Manuela Azevedo: voice.

Two Kinds Of Art Thieves

Tracks: Ice Factory; Three Storey Birdhouse; Manifesto; Four Ruminations; Multiples; We Left Green Briar Park.

Personnel: Charles Rumback: drums; Jason Ajemian: double bass; Joshua Sclar: tenor saxophone; Greg Ward:alto saxophone.

A Brush With Dignity

Tracks: Apre; Centri; Vista; Termo.

Personnel: John Butcher: tenor saxophone, soprano saxophone; Alberto Braida: piano; John Edwards: double bass; Fabrizio Spera: drums.


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