Vickie Smith: cELLAbrate

A prudent choice on Smith’s part is that she does not try to imitate Ella Fitzgerald. For starters, Smith does not scat on most of the tunes and relegates much of the improvisatory work to her sidemen. She does take an interesting exploratory trek on Jobim’s “So Danco Samba,” including quoting the melody from his “Girl from Ipanema.” Smith also does very capable vocalease covering a solo on “How High the Moon,” and she also sings more than a mouthful while performing Jon Hendricks’ pyrotechnic vocalease on Ben Webster’s solo, the saxophone solo and the head on Duke Ellington’s “Cottontail.” In addition to the aforementioned pieces, other standouts are Smith’s renditions of “Oh Lady Be Good,” “What Am I Here For,” and “In a Mellow Tone.”

To this listener, the tour de force in Vickie Smith’s tribute to Ella Fitzgerald is that she delivers the songs on the recording with much the same upbeat ebullient spirit that was a regular focus of many of Fitzgerald’s performances. Smith retains the spirit of Fitzgerald’s artistry without resorting to trying to be Ella Fitzgerald, maintains her own performing persona, and avoids the pitfall of evolving into a substandard imitation. For the fan of straight-ahead singers backed by the simplicity of a solid three-piece rhythm section, Vickie Smith’s cELLAbrate! will be a most enjoyable recording. For those not fortunate enough to live in proximity to hear Smith live, the recording certainly provides a satisfying serving of her talents.

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