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In 1958 Pianist Ahmad Jamal burst on the scene with At the Pershing: But Not for Me( Argo Records), which contained the runaway hit "Poinciana." The song's impact was such that it remains Jamal's signature tune to this day. As sometimes comes with popular success, some jazz critics pulled back, but his championing by other musicians, such as trumpeter Miles Davis
in 1955citing the pianist as one of his big influencessubdued their effect. Over the decades, Jamal has made many recordings, and his career has prospered internationally.
Blue Moon displays that the octegenarian is still going strong. In recent years, he has surrounded himself with drums and bass, close at hand for spirited give-and-takes. Here, however, he has his now-regular retinue which includes two percussionists.
The playlist is a mix of six standards and three originals. A signature demonstrated with "Poinciana" is a repetitive, Bolero-like rhythm, increasing in intensity throughout the number, with Jamal and others playing against it. This pattern is still apparent, with variations, but the approach is mostly impressionistic, creating often surprising results.
On the Rodgers and Hart acorn, "Blue Moon," drummer Herlin Riley
establish the familiar rhythmic pattern with Jamal's piano playing, an intriguing cat-and-mouse game with the theme. With "Gypsy," Billy Reed's forties hit, Jamal lets his imagination run free, throwing out Art Tatum
-like flourishes, alternately twisting, then unwinding the tune.
David Rose's classic theme to the classic 1944 film Laura is a lovely chance for Jamal to show his taste and skill with ballads. On Jamal's original, "I Remember Italy," on the other hand, Reginald Veal