's bluesy tenor and taking the trend of thought where she leaves off and bringing it full circle to the melody. This ethereal dance of the horns is anchored and propelled by the earthy grooves of rhythm duo Matt Wilson
's "Lonely Woman," creating an African ambience. Morgan embellishes the melody, followed by Frahm, who lags a few bars behind as he stretches further and further out while Morgan sounds delightfully atonal at times, and languidly oriental at others.
Even when she stays close to the actual tune, Morgan does not sacrifice creativity; "Booker's Waltz" is delivered in the spirit of trumpeter Booker Little
-inspired sound, Morgan is out there yet still quite logical, while Wilson's manic drumming covers the gamut between arhythmicity and hyper-rhythmcity, with tight group interplay preserving the composition's integrity.
Elsewhere, the group covers more traditional territory on the bop-ish "April in Paris," with its swinging drumming, walking bass and rapidly progressing saxophone and trumpet solos. On the heartfelt "Las Waltz," Morgan's open trumpet and Frahm's mournful tenor redefine the meaning of a waltz, while their romantic duet on the balladic "Where Are You" highlight s their versatility.
In covering a wide range of jazz subgenres, Morgan is not only able to intrigue and interest on Blue Glass Music , but also proves an exciting leader and musicianboth inside and outside the mainstream.
Track Listing: I Love You; April In Paris; Lonely Woman; Booker's Waltz; Glyph; Where
Are You?; Last Waltz.
Personnel: Carol Morgan: trumpet; Joel Frahm: tenor saxophone; Martin Wind: bass; Matt Wilson: drums, percussion.