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Robert Glasper: Black Radio (2012)

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Robert Glasper: Black Radio How we rate: our writers tend to review music they like within their preferred genres.

Depending on your age, Houston-born pianist/composer Robert Glasper is—like trumpeters Christian Scott
Christian Scott
Christian Scott
b.1983
trumpet
and Ambrose Akinmusire
Ambrose Akinmusire
Ambrose Akinmusire
b.1982
trumpet
, and bassist/vocalist Esperanza Spalding
Esperanza Spalding
Esperanza Spalding
b.1984
bass, acoustic
-either the herald of a new world a-comin' when jazz musicians will be heard on pop radio on a regular basis, or he's a throwback to the golden age of the seventies, when jazz stars, from Herbie Hancock
Herbie Hancock
Herbie Hancock
b.1940
piano
to Donald Byrd
Donald Byrd
Donald Byrd
1932 - 2013
trumpet
, were played on African-American and pop stations.

Blessed with a fleet-fingered, countrified approach to the piano that blends gospel, Thelonious Monk
Thelonious Monk
Thelonious Monk
1917 - 1982
piano
and hip-hop producer J Dilla, Black Radio is a propulsive, poetic and profound recording that deftly and defiantly destroys the market-driven barriers that sadly make terrestrial radio the Apartheid-airwave experience it is today. Like the most successful jazz musicians who had pop hits back in the day, Glasper understands that it's not about extended, solos (those can be heard on his last three Blue Note releases); it's about creating an open, melodic and rhythmic quantum universe where, in Duke Ellington
Duke Ellington
Duke Ellington
1899 - 1974
piano
's beautiful phrase, "the feeling of jazz" effortlessly melds with R&B, rock, hip-hop, neo-soul and quiet storm formats.

Glasper also perceptively peeped that great records are all about the collab, and on Black Radio he's in superb company, with Erykah Badu, Ledisi, Chrisette Michele, Bilal, Lalah Hathaway
Lalah Hathaway
Lalah Hathaway

vocalist
and Musiq Soulchild, lending their neo-soul vocals on blue-lights-in-the-basement ballads like "Ah Yeah," and Sade
Sade
Sade
b.1959
vocalist
's "Cherish The Day." Glasper and company puts a turbo-charged, hip-hop spin on Mongo Santamaria
Mongo Santamaria
Mongo Santamaria
1922 - 2003
percussion
's Latin jazz classic "Afro-Blue," and the leader revives his own "Gonna Be Alright (F.T.B.)," previously released on In My Element (Blue Note, 2007), but this time with lyrics rendered in lush-life fashion by Ledisi. Rapper Mos Def's Crooklyn cadences rock the title track, contrasted by the martial reinterpretation of David Bowie's guitar-centric "Letter to Hermione" and a twilight-toned reimagining of Nirvana's classic "Smells Like Teen Spirit," complete with Casey Benjamin's grooving and ghostly vocoder lead vocal, and Hathaway's ethereal fills.

Buoyed by the swing-at-the-speed-of-sound support of Benjamin, drummer, Chris Dave and bassist Derrick Hodge
Derrick Hodge
Derrick Hodge
b.1979
bass
, the ingenious, swinging, syncopated science of the Robert Glasper Experiment will no doubt make the 21st century reintegration of jazz aesthetic into pop radio a reality.

Track Listing: Lift Off/Mic Check; Afro Blue; Cherish The Day; Always Shine; Gonna Be Alright(F.T.B.); Move Love; Ah Yeah; Consequences of Jealousy; Why Do We Try; Black Radio; Letter to Hermione; Smells Like Teen Spirit.

Personnel: Robert Glasper: piano, Fender Rhodes, keyboards; Casey Benjamin: vocoder, alto saxophone, flute (1, 2, 4-6, 8-12); Derrick Hodge: bass; Chris Dave: drums; Jahi Sundance: turntables (1, 10); Eykah Badu: vocals (2); Lalah Hathaway (3, 12); Mos Def: vocals (10); Shafiq Husayn: vocals (1); Bilal (4, 11); Stokley Williams: vocals, percussion (9, 12); Chrisette Michele: vocals (7); Musiq Soulchild: vocals, sampling (7); Meshell Ndegeocello: vocals (8); Amber Strother: vocal (6), Anita Bias: vocals (6); Ledisi: vocals (5); Lupe Fiasco: vocal (4).

Record Label: Blue Note Records


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