As its title suggests, Between 2 Worlds finds guitarist Chuck Loeb's sublimated split personality at last openly revealed. A household name in smooth jazz circles, the former Steps Ahead luminary this time throws the dice with a program heavier on the straight-ahead jazz component that composes the core of his musical upbringing. Does this project mark the dawn of a new beginning, a passage to this other world? Only time will tell.
Customarily dressing the table with a set of his glossy, high-sheen wares, the second half of the program finds the agile guitarist delving into some more substantiated, post-bop-type purlieus, not without the same unbridled enthusiasm and passion that characterizes his pop-jazz work. That said, like those that preceded him in such indissoluble mixing of genres (and aesthetics)Lee Ritenour
being a rather convenient comparisonthe final product unfortunately falls flat in the face of artistically more focused covenants. Too much of this, not enough of that, the apanage of the MOR modicum.
's rollicking kit work introduces the supercharged, intervallic theme of "Let's Play." A brisk minor blues with booming chordal interjections, the piece emphatically celebrates the precise, George Benson
Halting a brief moment for wife-vocalist Carmen Cuesta's grazing Tom Jobim's tranquil "So Tinha De Que Ser Com Voce," Loeb then launches into the open-strings voicings that open "The Great Hall," a luminous waltz recalling John Abercrombie
, the title track, and the closing sleeper, "Early Turns To Late."
A deft technician with years studio experience behind him, Loeb demonstrates with Between 2 Worlds that his straight-ahead fretwork certainly needs to be reckon with, championed even. But, whether learned jazz listeners will buy into such disparate programming remains improbable.
Track Listing: Let
Personnel: Chuck Loeb: guitars; Carmen Cuesta: vocals (2, 4, 7); Lizzy Loeb: vocals (5); Eric Marienthal: saxophones, flute; Till Broenner: trumpet (3); Nathan Eklund: trumpet (4), trombone (1); Brian Culbertson: trombone (1); Pat Bergeson: harmonica (11); Will Lee: bass (1-3, 5); Dieter Ilg: bass (8-11); Gerald Veasley: bass (2, 6); Dave Weckl: drums (1-3, 5-7); Wolfgang Haffner: drums (4, 8, 9-11); Bashiri Johnson: percussions (1-3); David Charles: percussions (5, 7, 10, 11).