Mark Isaacs Resurgence Band: Aurora (2011)

By Published: | 3,983 views
How we rate: our writers tend to review music they like within their preferred genres.

Mark Isaacs Resurgence Band: Aurora
The last artistic musical movement in jazz to be given a meaningful name was the post-bop movement. Arising out of the mid-1960s as a unifying response to hard bop, modal, the avant-garde and free jazz, post-bop has fairly well dominated the most creative jazz made in the last 30 years. If post-bop has a ground zero, it is the recordings of the second great Miles Davis
Miles Davis
Miles Davis
1926 - 1991
trumpet
Quintet (Wayne Shorter
Wayne Shorter
Wayne Shorter
b.1933
saxophone
, Ron Carter
Ron Carter
Ron Carter
b.1937
bass
, Herbie Hancock
Herbie Hancock
Herbie Hancock
b.1940
piano
and Tony Williams
Tony Williams
Tony Williams
1945 - 1997
drums
), either collectively or separately.

But, in this same previous 30 year span, jazz has been atomizing in such a way as to continually defy such categorization. The music today operates at such a high level, with such superb musicianship, that disparate influences are seamlessly attached at a note level. The benefit of a long and generous history is that there is much experience to draw from and add to. When this is done well, it hastens and redefines the critical gravity of the music. The result of such an evolution is the Mark Isaacs Resurgence Band.

Isaacs is a well-known and very popular pianist/composer from Australia by way of London, who has been recording since the early 1980s. In the intervening years, Isaacs has evolved and honed a jazz vision as sophisticated as it is unique. His "Resurgence Band" developed out of his 2007 ABC Jazz recording of the same name. Isaacs followed that effort with his first Resurgence Band recording, Tell It Like It Is (ABC Jazz, 2010), defining the sound of early 21st Century jazz in the same way Oliver Nelson
Oliver Nelson
Oliver Nelson
1932 - 1975
arranger
defined the jazz sound at mid-20th Century on, for example, Blues and the Abstract Truth (Impulse!, 1961).

The most readily accessible piece on the recording is the R&B-impregnated "For the Road," which opens with a James Muller
James Muller
b.1974
guitar
electric guitar fanfare, ending in a thoroughly down-home blues coda before mating Les McCann
Les McCann
Les McCann
b.1935
piano
/Eddie Harris
Eddie Harris
Eddie Harris
1934 - 1994
saxophone
's "Compared to What} with Art Pepper
Art Pepper
Art Pepper
1925 - 1982
sax, alto
's "Make a List (Make a Wish)," forming a wickedly complex and lengthy, hook-crammed head. All of the elements of earlier styles are present, but the prism of Mark Isaacs refracts these styles upward, into new musical realms.

Isaacs does this with the following ballad, "Bagatelle" which begins with the familiar Pachebel "Canon in D Major" harmonic progression. The past can be heard, but only through the glass, transformed by the composer and his considerable band. Generously, Isaacs includes a DVD of the band's live performance of the previous recording, Tell It Like It Is that definitively drives home the power and impressiveness of this music.

Track Listing: CD: Will-'o-the-Wisp; Good Tidings; Emergence; Threnady; For the Road; Bagatelle; Aurora. DVD: Minsk; You Never Forget Love; Homecoming; Night Song Part 1; Night Song Part 2; Angel; Tell It Like It Is; Between the Shores. Bonus Features: Intro by Andrew Ford; What Was Said Between Songs.

Personnel: Mark Isaacs: piano; James Muller: electric and acoustic guitars; Matt Keegan: soprano and tenor saxophones; Brett Hirst: bass; Tim Firth: drums.

Record Label: Gracemusic

Style: Modern Jazz


comments powered by Disqus
Sponsor: Summit Records | BUY NOW

Enter it twice.
To the weekly jazz events calendar

Enter the numbers in the graphic
Enter the code in this picture

Log in

One moment, you will be redirected shortly.

or search site with Google