Jazz Uncorked
By David Ginochio

February 2001

Jazz Uncorked
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Rhodes Zinfandel Claudia Springs 1998 By David Ginochio Man, I think somebody put something in my drink! I’m picturing myself on some kind of boat on perhaps a river, setting sail for deep purple blackberry fields that stretch out forever. Lost, on a mystical journey down winding roads lined with colorfully dressed strangers tempting me with exotic spices and licorice, not to mention the fantastic acid (and 16.5 percent alcohol). You have my car keys, right? How did I get here, and who is that sleeping next to me? I dreamt of endless raspberry jammy jamming, incessantly swirling shades of profoundly ruby hues drawing me in. I woke up tuned in, turned on, enlightened and electric. Oh, the strange tales I have to share with you, and the memories, which I’m sure, will return to me repeatedly in the weeks and months to come. I’ve had a profound revelation, and it is this: Love, and lusciously ripe Claudia Springs 1998 Rhodes Zinfandel, is all you need Rating 90 Visit the Claudia Springs Web Site

Tourist St Germain Blue Note By Rob Evanoff Picking a favorite album each year is an exhausting emotional process and always creates much controversy within my mind and this year was no exception. Picking a favorite album is not based on just artistic merit but also how that album integrates itself into my life. 2000 represented a transition in my life, a journey of sorts and what better way to represent the soundtrack to your life than with a deft eclectic musical voyage. Overall, my favorite albums of the past year did not center on lyrics or production or performance but a feeling evoked by a myriad of styles fused together and there was none better than that found on Tourist by St Germain. I refer to it as therapeutic music to occupy my daydreaming mind. I knew nothing about St Germain but saw Tourist atop the jazz charts and without hesitation called to get a copy. An album selling that well that I’ve never even heard of is reason enough for at least a cursory listen. Tourist arrived and immediately after putting it on, I realized that this new CD was going to be exploring my mind for a few non-stop weeks as a worldly tourist with plenty of future return engagements. The adventure begins with the energetic seven-minute “Rose Rouge” from which the lyric “I Want You To Get Together” entices a call to action. This sentiment seems to call out to my very own senses, asking them to join together and continue the joyous ride. They hear the beckon and proceed through the graceful chill out number “Montego Bay Spleen” with it’s Wes Montgomery guitar noodling (provided eloquently by Jamaican guitarist Ernest Ranglin) and a fat down tempo beat. So, now you’ve sunk into a deep melted mood within the inner depths of your mind and the third track “So Flute” busts out and rides the crest of a thick techno and dub infused groove for 8 à“ minutes, leaving you overwhelmed with aural pleasure. From there, we step back again as a saxophone blossoms amidst a swinging hip-hop beat and we’re off to “Land of ” before the funky upbeat Brazilian groove on “Latin Note” rescues us with a festive fusionary delight. Are you with me? If you’ve ventured this far without any noticeable regret, you will not only be fully immersed as a newfound tourist but will eagerly await the next sonic wave. Will it be subtle or bold or smooth or fat? The answer comes in another one of the album’s peaks; track numero six. It is entitled “Sure Thing” which contains elements from “Harry’s Philosophy” (Miles Davis and John Lee Hooker) and layers a cool bluesy swirl atop the voice of John Lee Hooker. This cascading groove extends into the momentous dub and techno loops of “Pont Des Arts” and you begin to hope that the tour never ends. But even great things come to an end and after nine sumptuous tracks this tour does too. Tourist was written, produced & mixed by the mysterious St Germain and he also takes on the role of conductor for the other musicians involved in this project. The songs on Tourist range from five to nine minutes as each one distinctively sets a unique mood, one that usually sweeps you away from the one you were just visiting but with a common thread that awakens an unquenching desire to repeat this process over and over again letting it’s luster shine brighter with each successive spin. Will the real St Germain make himself known. First, there’s the legend. At the court of Louis XV in 18th Century France, there was a character that amazed everyone by pretending to be several centuries old. He went by the name of Saint Germain. Then there’s Ludovic Navarre, a.k.a. Saint Germain and pioneer of the French Touch (the new electronic music of France), who is not pretending in the least. To me, St Germain embodies the essence of the real new protégés of contemporary jazz. Not playing electric versions of the same old thematic jazz but instead incorporating varied styles and sometimes samples as a base and then melding them together with an improvisational series of soundscapes. His mix of techno, jazz, blues, ambient, house and dub seems to transcend the ages and speaks directly to the emotion of your soul. So, if you enjoy musical hybrids and sound collages that touch upon many distinct moods, then become a Tourist with Ludovic as your faithful guide.