By H. Kimball Jones
Re: Posts by Danielle Mason and Ong Sor Fern: My intention was certainly
not to make anyone jealous, but I'm glad you enjoyed the anecdotes and
asked for more, so I'll include one more tonight. (Gee, I thought growing
up in the 50's kind of sucked, but I guess in terms of the jazz I got to
see, it was not so bad after all!) In the 50's jazz in L.A. was both
plentiful and inexpensive. You could sit with a 50-cent beer all night,
with no cover. I don't know how they paid the musicians! When I was a
sophomore in college I had the greatest jazz weekend of my life. One
Friday night a friend and I drove in from Claremont (we went to Pomona
College) to Hollywood to a club on Sunset (I can't remember the name of the
club). There was a triple bill that night that consisted of 1) The George
Shearing Trio plus Toots Thielemans, 2) The Count Basie Band with Joe
Williams singing -- (and he sang almost every number from the album "Count
Basie Swings, Joe Williams Sings") and 3) Lamberts, Hendricks and Ross. Can
you imagine, all three of these groups on the same billing the same night
-- and all for a 50-cent beer!
If that wasn't enough, my friend, who came from a wealthy New Orleans
family (his father was a corrupt politician, part of Huey Long's entourage
in New Orleans) had managed to get friendly with some jazz artists in L.,A.
by buying them drinks, paying their taxis home,
etc. One pianist he got very close with was Hampton Hawes. So on Saturday
of that same weekend, he took me to Hawes' home in L.A., which was a very
modest typical stucco small L.A. house (like the house Denzel Washington
lived in in the film "Lady in a Blue Dress"). Hawes wasn't getting many
gigs, so he was teaching piano here and there. That Saturday morning he
gave me a one-hour lesson for 10 bucks. He taught me how to use 10ths in
my left hand and the use of chromatic scales with the blues. That one hour
lesson was the beginning of my becoming a jazz pianist! It was really
great. And I think Hawes remains one of the great underrated pianists of
his era, perhaps because he didn't get a lot of press and died prematurely.
But that weekend in 1958 is one I certainly will never forget!
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