By Chris Burnett
This column for AllAboutJazz.com deals with aspects of being in the jazz
music industry from the perspective of a truly independent artist. IÃÂÃÂÃÂÃÂll
present a series of articles here for publication on this relatively under
appreciated subject. These writings are personal in context and primarily
from my own experiences, lessons learned, and earnestly objective opinions.
This particular article deals with setting up your music at one of the free
music distribution sites. It also covers some of the basics IÃÂÃÂÃÂÃÂve learned
about how to set-up a page, some dynamics involved with being a member of
the online artist community, and what I believe to be a realistic approach
toward promoting your music to new listeners around the globe. We will also
follow some artistsÃÂÃÂÃÂÃÂ progress in 2002.
This is not an endorsement, necessarily, but at the time of this writing my
preferred music page is with a company called MP3.com. Yep, anyone who has
remotely kept up with online music and .mp3 news has probably heard of this
site ÃÂÃÂÃÂÃÂ pro and con. The fast-paced developments in Online Music
Distribution, along with the ÃÂÃÂÃÂÃÂdown-to-earthÃÂÃÂÃÂÃÂ prospects of actual success
marketing oneÃÂÃÂÃÂÃÂs music online as an independent jazz artist seem to have been
played out in gory detail at this portal. Even considering all of the
changes, I still think that it is the most developed and well-known place of
this type to associate with. So, I use my page there as my ÃÂÃÂÃÂÃÂprimary media
pageÃÂÃÂÃÂÃÂ.
A bit of background from an independent jazz artist perspective:
- MP3.com started as an independent company with primarily independent
artists of all musical ilk as members.
- It was free and they paid generous ÃÂÃÂÃÂÃÂroyaltiesÃÂÃÂÃÂÃÂ to all members just for
people downloading and listening to artist music.
- Checks were delivered in the mail like ÃÂÃÂÃÂÃÂclockworkÃÂÃÂÃÂÃÂ.
- And some artists routinely made more money from MP3.com in a few months,
than allot of working jazz artists make in a couple of years.
- A major media corporation purchased MP3.com and many independent members
left the site when all of the inherent changes began occurring as a result
of this buy-out.
- The site still pays royalties, which are more in-line with what musicians
are generally paid, but now also charges members for certain ÃÂÃÂÃÂÃÂpremiumÃÂÃÂÃÂÃÂ
services ÃÂÃÂÃÂÃÂ so, it is no longer totally free.
Making The Page
You can set up a ÃÂÃÂÃÂÃÂfreeÃÂÃÂÃÂÃÂ page at MP3.com without much knowledge of web page
design, HTML, etc. You can join the site by following a few simple links
located at the bottom of their main page.
Once you have ÃÂÃÂÃÂÃÂregisteredÃÂÃÂÃÂÃÂ as a member, you will be taken to your own
private administrative area where the actual building of your page occurs.
It is pretty much follow the steps, upload your pictures, upload any
original music you have encoded as .mp3 files, and fill out any bio
information you wish visitors to know about you. In order for your page to
be ÃÂÃÂÃÂÃÂactivatedÃÂÃÂÃÂÃÂ you have to upload at least one song. Everything else is
optional to upload.
For a sample of what can be done with your page you can visit mine at this
URL: www.mp3.com/4jazz; and upon visiting, you will see what can be done
there with limited knowledge of web design. Help sections there are pretty
extensive as well, so if you get stuck somewhere, there is usually an answer
to be found relatively quickly.
Typical Promotion Process
Phase One - so you have this really cool media page and you decide to let
your friends and family know too. You send emails out for about 2 days to
everyone you know on earth. As a result, your statistics show a steady
group of listeners because of this. So, you do it again.
You are naturally happy and excited that your music is ÃÂÃÂÃÂÃÂup on the webÃÂÃÂÃÂÃÂ and
people are ÃÂÃÂÃÂÃÂactually getting to hear itÃÂÃÂÃÂÃÂ. What independent jazz musician
would not be?
However, after about 6 emails to your family, friends, colleagues, and even
to that kid who sat behind you in geometry during your sophomore year of
high school; none of the people whom you remotely know will want to hear
about your music anymore. TheyÃÂÃÂÃÂÃÂre back to using email and the Internet for
its primary purpose of ÃÂÃÂÃÂÃÂjokesÃÂÃÂÃÂÃÂ and ÃÂÃÂÃÂÃÂchain lettersÃÂÃÂÃÂÃÂ.
ÃÂÃÂÃÂÃÂHey, I have already listened to your music once ÃÂÃÂÃÂÃÂ so, stop bugging me with
your music emails alreadyÃÂÃÂÃÂÃÂ - is what they are actually telling you when they
stop replying with ÃÂÃÂÃÂÃÂcongratsÃÂÃÂÃÂÃÂ messages!
Phase Two - while youÃÂÃÂÃÂÃÂre at it you start buzzing around the main site and
discover the Artist Community Bulletin Boards and begin meeting other artist
members online.
You begin to learn the dynamics of how to invite listeners to your page
based upon many of the methods used by other artists on the site.
Some shared ideas from other artists do seem to work for a while, and some
donÃÂÃÂÃÂÃÂt work at all.
You begin to visit the pages of those artists who seem to have had
consistent success based upon the steady streams of listeners who come to
their pages each day ÃÂÃÂÃÂÃÂ like clockwork. Most of these artists do not share
any tips related to their success. You are, indeed, the competition in a
sense. Why should they dilute their earnings by cluing you in on what is
apparently effective online music promotion techniques.
Interacting with some of the members within the artist community is a cool
aspect about the experience. Some of them even become supporters of your
work and you of theirs. However, it is still not effective in the long term
to rely upon other artists to keep listening to your music ÃÂÃÂÃÂÃÂover and overÃÂÃÂÃÂÃÂ,
ÃÂÃÂÃÂÃÂday in and day outÃÂÃÂÃÂÃÂ.
Phase Three ÃÂÃÂÃÂÃÂ you ÃÂÃÂÃÂÃÂget realÃÂÃÂÃÂÃÂ and develop an actual strategy to find your own
fans. Once the fact sets in that you will always need a daily stream of
legitimate listeners in order to realize any earnings potential at the site,
you finally learn that you have to basically build your own success one fan
and one listener at a time. Just like you do offline.
Finding Qualified Listeners
IÃÂÃÂÃÂÃÂm still working on establishing this type of network for my page at
MP3.com because up until now, I have been looking for ÃÂÃÂÃÂÃÂqualified listenersÃÂÃÂÃÂÃÂ
in most all of the ÃÂÃÂÃÂÃÂwrong places onlineÃÂÃÂÃÂÃÂ.
HereÃÂÃÂÃÂÃÂs how I have learned to qualify jazz listeners online:
- Not necessarily a fellow musician, because the competition factor is
usually instinctively too great within most musicians for others to be
consistent supporters. There are exceptions though.
- Not necessarily members of musicians groups or lists, because of the same
reason above and many of the active members who post to such groups donÃÂÃÂÃÂÃÂt
like listening to music online.
- Even though you will actually get some consistent and loyal fans for your
music from the fellow online artist community, musician groups, and musician
lists ÃÂÃÂÃÂÃÂ these are not the type of fans who will take your music to that
ÃÂÃÂÃÂÃÂnext levelÃÂÃÂÃÂÃÂ online.
Jazz Fans Who Listen Online
There are millions of Internet users who listen to music online. There are
probably a few hundred thousand among them who are jazz fans. Among these
are those people who would willingly listen to my free online music. Most
all would probably willingly visit my media page on a regular basis, and
even gladly help spread the word by telling all of their friends about it
too.
These are the Jazz Fans and people I am seeking to connect with on a
continuous and regular basis. I want to establish musical friendships with
them online, and I know that they are out there somewhere.
The listeners I am seeking for my ÃÂÃÂÃÂÃÂOnline Music Listeners NetworkÃÂÃÂÃÂÃÂ are just
into digging the music. They donÃÂÃÂÃÂÃÂt care that I get paid a half-cent USD for
every listen, they donÃÂÃÂÃÂÃÂt care about the music charts, and certainly they are
not put off or threatened if my music sounds ÃÂÃÂÃÂÃÂtoo goodÃÂÃÂÃÂÃÂ. They may or may
not buy my CDs ÃÂÃÂÃÂÃÂ which is no big deal, in this type of distribution scheme!
I know that they are somewhere online just waiting to be told where they can
find and hear my music online for free!
The next series of articles will follow the course of several independent
jazz artists throughout the year. Hopefully, you will get to know their
music, backgrounds, and career aspirations as well. You find some very
valid work among them and also have opportunity to gain exposure to some of
the other jazz music being made today outside of major and large independent
labels. Until then, give an independent jazz artist a listen sometime.
There are many of us out here with music worth hearing too.
Cb has also made many musical friends online and would love to hear from you
too. Stop by for a free tour, listen to some Cb tunes, and say hello at
http://www.burnettmusic.com.