By H. Kimball Jones
In early May, 1987 my wife and I were attending a conference of the
American Association of Pastoral Counselors in New Orleans. By good
fortune, it coincided with the week of the New Orleans Jazz Festival (which
was much more interesting than the AAPC Convention!) On May 4th we spent
the entire day at the Festival watching such great artists as Benny Waters,
Wynton Marsalis and Sweet Honey in the Rock.
A very memorable moment occurred while we were watching Sweet Honey. They
were performing on a stage in a large tent that was crowded with
enthusiastic fans.
In their inimicable way they started with a few laid back spirituals,
continued with some Gospel songs and then worked up to a frenzy with
African freedom songs. As their set was nearing it's end, they were
singing "All for Freedom" at an ever-increasing tempo. The whole place was
swinging and swaying. While the group repeated "All for Freedom!" as a
continuing riff, the large woman with the incredible baritone voice who was
taking the lead started singing out the names of great African freedom
fighters: "Nelson Mandela" ("all for freedom, all for freedom"), "Steve
Biko" ("all for freedom, all for freedom"), etc. As she sang out these
illustrious names she began dancing around the stage until it was literally
shaking from her movement. Everyone in the tent was moving with her.
Then in her enthusiasm she took one step too many and fell precipitously
from the stage (a good 5-6 feet), landing with a thump flat on her back on
the ground below. There was a sudden and complete silence throughout the
tent. Everyone was agasp. Was she unconscious? Was she DEAD? The other
members of the group all came to the edge of the stage and at first seemed
afraid to look, but then peered down with worried expressions, as if
expecting the worst. Everyone seated in the first few rows got up and
looked down at the visage of this huge, wonderful woman lying flat on her
back, eyes open but not moving, cordless microphone still grasped firmly in
her hand. No-one knew quite what to do and the silence seemed
interminable. And then slowly..very slowly, her eyes began to blink, a
smile came on her face, and first in a very weak voice she sang "Mandela,
Biko,... all for freedom". With each name her voice grew stronger.
The group, somewhat reassured, went back to the middle of the stage and
hesitatingly resumed singing "All for freedom..." By the 5th name she was
sitting up, and by the 8th or 9th was slowly climbing back on stage.
Trying each leg to make sure it was still intact, she began to dance again,
and then finished the song, dancing, singing loudly with that strong,
resonant voice, and raising her fist along with those of her
sisters-in-song in the South African salute to freedom. There was not a
dry eye in the place, and I don't think I've ever been as hoarse as I was
that May afternoon as the crowd, in one thunderous voice expressed its
appreciation for a truly unforgettable heartfelt moment of song.
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