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Album Review

Arturo Stable: Cuban Crosshatching

Read "Cuban Crosshatching" reviewed by Mark F. Turner


Seemingly under no duress to prove himself, exceptional percussionist Arturo Stable exudes confidence in any number of situations, whether playing with the great Paquito D'Rivera, adding rhythmic Cuban flavors to the Philadelphia Symphony Orchestra or leading his own band in its memorable 2007 debut, Notes On Canvas (Origen Records). A conceptualist who incorporates ethnic music with other influences, his sound represents more than typical Latin percussion. Stable's thoughtful perspective illuminates Cuban Crossinghatching, which he states “is the result of a ...

271
Album Review

Arturo Stable: Notes on Canvas

Read "Notes on Canvas" reviewed by Russ Musto


Like so many of his Cubano compatriots, several of whom join him on this, his second date as a leader, percussionist/composer Arturo Stable is expanding the range of what is commonly called Latin jazz--and indeed scope of jazz itself--with original compositions that are drawn from myriad musical influences and, in the case of Notes on Canvas, from the art world as well. Each of the nine tracks on the date is named for and inspired by a famous painting and ...

283
Album Review

Arturo Stable: Notes On Canvas

Read "Notes On Canvas" reviewed by Mark F. Turner


The arts of jazz and painting are both siblings of self expression. Whether the artist skillfully paints a fresco or articulates ideas in music, the result is one of creative insight. Such is the case for Notes On Canvas by master percussionist/composer Arturo Stable, who gives music interpretations to some of his favorite paintings by Vincent Van Gogh, Pablo Picasso, Claude Monet, and others. From Cuba to the Bronx, Stable draws inspiration from his father, Arturo Sr., ...


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