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Album Review

Adam Schroeder & Mark Masters celebrate Clark Terry: CT!

Read "CT!" reviewed by Pierre Giroux


In jazz, where the past intertwines with the present and the future, few figures were as influential as the legendary trumpeter Clark Terry. During his playing career, he developed a creative, bouncy style with an irrepressible rhythmic verve that was entirely his own. The album CT! with baritone saxophonist Adam Schroeder and arranger Mark Masters serves as a heartfelt homage to this jazz icon, presenting fresh and invigorating arrangements of 13 Clark Terry originals skillfully performed by a 12-piece ensemble. ...

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Album Review

Mike Jones: Are You Sure You Three Guys Know What You're Doing?

Read "Are You Sure You Three Guys Know What You're Doing?" reviewed by Jack Bowers


Some years ago, after Penn Jillette heard Mike Jones playing in a small club in Las Vegas, he approached the pianist, introduced himself, and said he would like to hire Jones to open his popular magic show, Penn & Teller--on one condition. And what might that condition be, Jones asked, to which Jillette replied, “I'm your bassist." Jones readily agreed, starting a long-running collaboration that has led at last to this superlative album --with Jillette on bass, of course, and ...

3
Album Review

Mike Jones / Penn Jillette / Jeff Hamilton: Are You Sure You Three Guys Know What You're Doing?

Read "Are You Sure You Three Guys Know What You're Doing?" reviewed by Pierre Giroux


If the tired old cliché “what happens in Vegas, stays in Vegas" ruled the roost, perhaps the talents of pianist Mike Jones might have been limited to being the music director for the Penn & Teller Las Vegas show of mind-blowing illusions. Fortunately, a tired old cliché is just that. Jones' dynamic talent and creativity could not be “kept under a bushel." He joined forces with the exceptional and versatile drummer Jeff Hamilton and the surprisingly talented bassist Penn Jillette, ...

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Album Review

Keith Oxman: This One's for Joey

Read "This One's for Joey" reviewed by Jack Bowers


The “Joey" saluted on Denver-based tenor saxophonist Keith Oxman's latest album is Joey Pearlman, a jazz bassist who died far too soon, at age twenty-four, in Febuary 2021. Joey's “music and personality," Oxman writes, “brightened every day for us at [Denver's] East High School. His presence brought joy to our music room...as he challenged us with his brilliant compositions and performances. Joey's musical influence on his classmates, as well as his one-of-a-kind sense of humor, had an undeniable and positive ...

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Album Review

Jeff Hamilton Trio: Merry & Bright

Read "Merry & Bright" reviewed by Jack Bowers


After thinking for many years about producing an album of holiday songs, drummer Jeff Hamilton finally took the plunge in March 2021, recording with his trio the delightful Merry & Bright whose seasonal perspective is far more contemporary than traditional, with only one of its ten selections ("O Tannenbaum") predating the mid-twentieth century. The mood is for the most part temperate and easygoing, a charming showcase for Hamilton's superlative brush work and deft interplay by all hands. ...

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Album Review

Graham Dechter: Major Influence

Read "Major Influence" reviewed by Pierre Giroux


The guitarist Graham Dechter offers his first new album in almost a decade. Major Influence was recorded prior to the pandemic with the dream rhythm section of Dechter's earlier recordings: pianist Tamir Hendelman, bassist John Clayton and drummer Jeff Hamilton. In early fall 2021, the band can now begin to contemplate returning to touring. While the unit's previous releases contained mostly titles from the American Songbook and jazz standards, this effort consists of compositions that were ...

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Album Review

Graham Dechter: Major Influence

Read "Major Influence" reviewed by Jack Bowers


If you're a jazz guitarist who plans to record a quartet CD, you obviously want the most able and supportive rhythm section you can possibly find to lend its weight. For Los Angeles-based Graham Dechter, assembling such a peerless trio to enhance Major Influence, his third album as leader and first in nearly a decade, posed no problem whatsoever: Dechter's bandmates in the world-class Clayton-Hamilton Jazz Orchestra would do quite nicely. Yes, there may be rhythm sections whose talents are ...

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Album Review

Sheila Jordan: Comes Love: Lost Session 1960

Read "Comes Love: Lost Session 1960" reviewed by Pierre Giroux


Sheila Jordan falls into that unique category of vocalist whose voice, once heard, is unlikely to be mistaken for anyone else. Now at ninety-two, she continues to perform regularly, if not frequently, most recently in August 2021 at Jazz In The Park in Peekskill New York. This release entitled Comes Love: Lost Session 1960 was recorded on June 19, 1960 at Olmsted Sound Studios NYC for Chatam Records backed by unidentified accompanists. Ms. Jordan was thirty-one at the time of ...

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Album Review

Graham Dechter: Major Influence

Read "Major Influence" reviewed by Dan Bilawsky


What do you get when you combine a million-dollar feel, sterling technique, clear-eared chording, warm and sophisticated single-note lines and impeccable taste? Graham Dechter, of course. As a longtime member of The Clayton-Hamilton Jazz Orchestra and first-call sideman for the West Coast elite, Dechter has earned his place on the scene. And with his first two albums—Right On Time (Capri, 2009) and Takin' It There (Capri, 2012)—he made an extremely convincing case out front. Not surprisingly, this third date merely ...

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Album Review

Frank Morelli / Keith Oxman: The Ox-Mo Incident

Read "The Ox-Mo Incident" reviewed by Jack Bowers


East meets Midwest on The Ox-Mo Incident, wherein Denver-based tenor saxophonist Keith Oxman shares the front line with bassoonist Frank Morelli, whose day jobs include teaching at the renowned Juilliard School in New York City and several other citadels of higher education. Although it's a long trek from Juilliard and the Orpheus Chamber Orchestra (one of Morelli's sometime gigs) to working in a jazz quintet, Morelli's jazz chops are surprisingly keen, and he more than pulls his weight in spite ...


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