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Jazz Articles about Fredrik Ljungkvist

19
Album Review

Fredrik Ljungkvist - Kris Davis - Ole Morten Vågan - Øyvind Skarbø: Inland Empire

Read "Inland Empire" reviewed by Glenn Astarita


Rising star American pianist Kris Davis aligns with A-list Scandinavian progressive jazz artists for a semi-structured program that, among numerous positives, highlights the ensemble's persuasive interactions amid a capacious soundstage, spanning sublime progressions, angular unison choruses and geometrical paradigm shifts. But the musicians unrelenting creativity and thoughtful improvisations spark a winning formula not always easily attainable in these unions, where spontaneous breakouts and plot redevelopments yield significant rewards. “Truffle Pigs and Katmandu Stray Dogs" is a prime ...

16
Album Review

Mattias Risberg's Mining: Zauberberg

Read "Zauberberg" reviewed by Karl Ackermann


The Swedish pianist Mattias Risberg has teamed up with a range of well-known northern European born or based improvisers, including saxophonist Fredrik Ljungkvist and vocalist Jennie Abrahamson. He remains largely unknown in the U.S. but garnered well-deserved attention for And Now the Queen--A Tribute to Carla Bley (Lilalo records, 2016), a duo recording with Ljungkvist. Risberg lives between two musical worlds as a post-modern composer with an affinity for (relatively) old-world instruments. His inspirations are no less diverse: he cites ...

12
Album Review

Lina Nyberg: The Clouds

Read "The Clouds" reviewed by Troy Dostert


In a career spanning almost three decades--her first release, Close (Prophone), with Esbjörn Svensson, dates from 1993-- vocalist, composer and arranger Lina Nyberg has worked with many of the finest musicians in the Swedish jazz scene to create a truly formidable body of work. Nineteen albums later, her creativity shows no signs of abating. In fact, with The Clouds, a project featuring a tentet of first-rank colleagues, Nyberg is poised to reinforce her place at the vanguard of chance-taking European ...

15
Album Review

Fredrik Ljungkvist & Mattias Risberg: And Now the Queen - A Tribute to Carla Bley

Read "And Now the Queen - A Tribute to Carla Bley" reviewed by Karl Ackermann


Carla Bley's compositions have been recorded by a seemingly endless list of artists including Jaco Pastorius, Arturo O'Farrill, Eberhard Weber, Jan Garbarek, Jimmy Giuffre and extensively by her former husband, the late Paul Bley. She has been revolutionary in the scope of her work which has run from the jazz opera Escalator Over the Hill (JCOA Records, 1971) to the politically influenced Liberation Music Orchestra led by Charlie Haden. With the earlier release of Andando el Tiempo (ECM, 2016) with ...

5
Extended Analysis

Fredrik Ljungkvist / Yun Kan 10: Ten

Read "Fredrik Ljungkvist / Yun Kan 10: Ten" reviewed by Eyal Hareuveni


Acclaimed Swedish reed player Fredrik Ljungkvist's key solo outfit is the Yun Kan band. This band, in its incarnation as a quintet, released two remarkable albums, Yun Kan 12345 and Badaling (Caprice, 2004 and 2007) and in recent years operated in a slimmed down version as Yun Kan 3 and as an ambitious outgrowth of the quintet as Yun Kan 10. Now, finally, more than five years after its last documentation, this ensemble has been beautifully recorded by Swedish Radio. ...

37
Album Review

Tva For Tommy: Tva For Tommy

Read "Tva For Tommy" reviewed by Eyal Hareuveni


Behind the odd name Två För Tommy (Two for Tommy in Swedish) stand three of the best Swedish improvisers: reed player Fredrik Ljungkvist, a founding member of the acclaimed Norwegian-Swedish quintet Atomic; vibraphonist Mattias Ståhl, who leads his own bands, Ståhls Blå and Ståhls Trio, and has collaborated with countless other outfits; and double bassist Patric Thorman, member of the Swedish-American quintet Seval. This trio's debut--a limited edition LP of only 350 copies--is a masterful exploration of chamber jazz.

311
Liner Notes

Atomic: Retrograde

Read "Atomic: Retrograde" reviewed by Lloyd N. Peterson Jr.


Every time I have the opportunity to attend a performance by Atomic, I find myself asking, how does a band this dynamic and creative miss the radar on so many different media and industry levels? If the Miles Davis Quintet with Tony Williams, Wayne Shorter, Ron Carter and Herbie Hancock could have rocked, they would have been the brilliant and ass-kicking Atomic. If they were from New York, my peers would be drooling at the opportunity to discover the arrival ...


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