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Adam Rogers: Art of the Invisible
ByFollowing a highly personalized arrangement of “Long Ago and Far Away,” Rogers unleashes a series of his own quirky charts. Group interaction is put at a premium, particularly when it comes to Penn's polyrhythmic contributions. Rogers’ tone is akin to Pat Metheny’s basic approach and he often speaks in quick phrases of asymmetrical length. Even his melodies, such as “Absalom,” contain hits and other accents that come in all the but the most expected places. This steps the music a few paces forward beyond the typical mainstream affair, not easy to do without the end result sounding somewhat contrived.
Although he’s been rarely heard since his heady days spent with Bobby Watson’s Horizon, Simon is in great shape and contributes supercharged solos that audibly extend the ideas set forth in Rogers’ own lines. Penn is essential for this kind of thing, in that his complex interactions with the ensemble and the soloists are conducive to risk taking. Announcing the arrival of latent talent ready to be acknowledged at large, Art of the Invisible is guitar jazz at its best.
Track Listing
Long Ago And Far Away, Absalom, Bobo, The Aleph, The Invisible, Cathedral, Book Of Sand, In Broad Daylight, The Unvanquished
Personnel
Adam Rogers
guitarAdam Rogers (guitar), Edward Simon (piano), Scott Colley (bass), Clarence Penn (drums)
Album information
Title: Art of the Invisible | Year Released: 2003 | Record Label: Criss Cross
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