Home » Jazz Articles » Album Review » Jovino Santos Neto: Alma do Nordeste (Soul of the Northeast)

334

Jovino Santos Neto: Alma do Nordeste (Soul of the Northeast)

By

Sign in to view read count
Jovino Santos Neto: Alma do Nordeste (Soul of the Northeast)
Great composers take their listeners past the simple execution of traditional form; instead they vividly describe their subject matter. Musical building blocks like tempo, texture, and dynamics shape mood and guide the listener's feelings. Cultural instruments reference specific countries. Creative interpretation adds perspective and displays the subject through the composer's eyes. Personal expression invites creative interpretations of the musician's opinions. Jovino Santos Neto brings all these pieces together into a striking set of compositions that describe the Northeastern region of Brazil on Alma do Nordeste (Soul of the Northeast).

Neto introduces unique compositional techniques to add depth and direction to several songs. A rubato flute conversation between Neto and Carlos Malta opens "Alma do Nordeste," leading into an exotic melody. They expand their thoughts into a collective improvisation and then guide the main theme through 6/8 and double time. Ambient sounds from the Pernambuco region introduce "Passareio," slowly transitioning into a 31-beat cycle performed by Brazilian percussion. The song avoids traditional melodic conventions, relying upon free improvisation that instigates imagery of birds. Bold compositional shifts outside Brazilian music norms help the listener build diverse imagery and capture new meanings.

Neto utilizes the Northeastern styles of forró and xote to capture the region's spirit and culture. Toninho Ferragutti displays the accordion's strong expressive abilities on the bluesy melody to "Saudade de Sua Gente." The xote rhythm's inherent swing frees Neto to include traditional jazz phrasing, while Ferragutti utilizes quick chromatic runs. Tiago da Serrinha's pandiero pushes "Forró Vino" through a series of band breaks under Marcelo Martins' tenor sax melody. Moving melodic sequences build Martins' solo into an assertive statement, and drummer Marcio Bahia tastefully develops a solo around band hits. Neto's creative interpretation of xote and forró adds the authentic touch of Northeastern Brazil's musical genres.

Neto interprets the Northeastern baião rhythm in several different ways in order to express his vision. Saxophonist Eduardo Neves, Martins, and Neto explore the possibilities of a baião in 3/4 on the main theme to "São Pedro na Jangada." The group highlights the unique rhythm with a percussion feature, before Bahia fills around horn breaks. Ferragutti's polyrhythmic playing over a 7/4 baião creates an energetic introduction on "Festa na Macuca." Martins and Ferragutti exchange exciting solo ideas until Neto's inspired improvisation engages Bahia in spontaneous accents. Neto's creative manipulation of the baião helps him invoke specific ideas from the music.

Neto creates bold sonic imagery of Northeastern Brazil on Alma do Nordeste (Soul of the Northeast), employing diverse compositional tools to paint a strong picture. His use of Northeastern rhythms makes an authentic cultural connection. Neto's experimentations with time signature, texture, and instrumentation color the music and further focus his concept. The individual musicians invest significantenergy into Neto's concept, while strongly inserting their personal voices. Neto pulls thoughtful craftsmanship, stylistic knowledge, and expansive musicianship into his compositions on Alma do Nordeste (Soul of the Northeast), vividly bringing the culture of Northeastern Brazil to life.

Track Listing

Festa na Macuca; Saudade de Sua Gente; Amoreira; Passareio; Sao Pedro na Jangada; Rede, Sossego e Chamego; Fulo Sertaneja; Alma do Nordeste; Biboca; Forro Vino; Borborema; Donkey Xote; Vermeio Agreste Lampiao.

Personnel

Jovino Santos Neto: piano, melodica, flute, ambient sounds, fifes; Toninho Ferragutti: accordion (1,2,13); Gabriel Grossi: harmonica (6,9); Carlos Malta: flute (8), fifes (4); Eduardo Neves: soprano sax (3,5), tenor sax (5), flute(13); Marcelo Martins: flute (1,6), soprano sax (7,11,12), tenor sax (10,13); Josemen Honaine: 10-string guitar (6,8,13); Dudu Lima: bass; Marcio Bahia: drums; Tiago de Serrinha: triangle, caxixi, gongue, zabumba, pandeiro, maraca, frame drum, xequere, reco, agogo & effects; Pernambuco: cattle calls (8); Durval Pereira: zabumba, ganza, pandeiro, matracas, quiexada, reco, triangle & effects.

Album information

Title: Alma Do Nordeste | Year Released: 2008 | Record Label: Adventure Music

Comments

Tags


For the Love of Jazz
Get the Jazz Near You newsletter All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who create it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

You Can Help
To expand our coverage even further and develop new means to foster jazz discovery and connectivity we need your help. You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination will vastly improve your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.

More

What Was Happening
Bobby Wellins Quartet
Laugh Ash
Ches Smith
A New Beat
Ulysses Owens, Jr. and Generation Y

Popular

Eagle's Point
Chris Potter
Light Streams
John Donegan - The Irish Sextet

Get more of a good thing!

Our weekly newsletter highlights our top stories, our special offers, and upcoming jazz events near you.