After Hours by Robert Spencer
After Hours by Jack Bowers
After Hours by Douglas PayneMore articles about Eric Allison
The performers in this case are Eric Alison on tenor (mostly) and alto saxophones, as well as flute and clarinet; John Bailey on trumpet; Jesse Jones, Jr. on alto; Turk Mauro on baritone; the one and only Dr. Lonnie Smith on piano, and two tracks on organ; Dennis Marks on bass; and Danny Burger on drums. The music is club music: R&B-tinged jazz grooves, uniformly up-tempo and high-spirited.
But this is not your average club band: the presence of Dr. Smith, of course, makes sure that the grooves will be of classic depth and power. Reedman Allison, who wrote nine of the ten tracks, is dependable and cheery, with debts of gratitude to Mssrs. Rollins and Coltrane. John Bailey on trumpet will make you wonder if Lee Morgan is really dead. Every one of his solos stakes out the high glorious ground Morgan made his own in the Sixties, and Bailey sounds just as energetic. In fact, "Double Shot" sounds like a lost out-take from one of those festive Morgan/McLean albums on Blue Note (especially the smashing, underrated, unreleased-on-CD-except-from-Mosaic Consequences.) It's got all the ingredients: a bright and flawlessly-executed reed-and-brass unison line with a slight Latin tinge. It's 1965 all over again!
Good, solid party music with something more from Bailey. Weinstock, thirty years later, has done it again. The question is, in the Fifties he used to turn these out practically every week. I'll be looking forward to next week's entry.
Tracks:Midnight Groove; After Hours; Double Shot; 'Round About Dawn; Sittin' In; No Cover; Tip-Toein'; Straight Up; Deanna; Delta Joy.
Record Label: Contemporary
One moment, you will be redirected shortly.