for A Thousand Summers, a refined album of familiar jazz standards and love songs. When Ess began developing the project, he naturally focused on new material. One day he performed with a singer at New York's renowned Blue Note jazz club. As he so aptly puts it, the experience "seemed to have triggered something in my soul... I started to hear a whole new sound." That new sound, in this case, is Parrott's sensuous voice delivering the lyrics of beautiful old love songs to tasteful light instrumentals built around the guitar.
provide their share of solo moments while supporting Parrott. As Ess himself affirms, old habits are hard to break; though this disc may be categorized as a vocals project, Ess and his quartet provide the meat of the music. The Rodgers and Hart standard, "I Didn't Know What Time It Was," opens the record with a few light chords from Weidman, setting up Parrott's introduction and the beginning of her lyrical statement. Eventually, she turns it over to the guitarist and the rest of the band for several minutes of instrumental music, a template that is followed throughout the recording.
's "So in Love" is certainly one of the feature highlights, containing excellent riffs from the leader along with bright moments from the pianist. The Mancini/Mercer classic, "Charade," is almost unrecognizable at first, but after Parrott's entrance the melody comes into play ever so slightly. "East of the Sun" stays true to course, developing quite nicely on the wings of Ess' lofty chord play. Though the great Frank Sinatra
's immortal "I Will Wait for You" round out A Thousand Summers, completing the guitarist's first foray into the realm of jazz standards and vocals. After this delightful experience, Ess may well include something similar in future projects.
Track Listing: I Didn't Know What Time It Was; One Day I'll Fly Away; So in Love; The Old Country; Charade; East of the Sun; Looking Back (Reflections); All or Nothing at All; Goodbye; I Will Wait for You.