Even for a musician of Frode Gjerstad's staturehe has been active internationally since the early 1980s with a panoply of improvising brethrenNew York can still be a tough town. Coming in as part of a short Christmas, 2007 tour, his gig at Jimmy's was unceremoniously cancelled. So he was to be found Dec. 11th packed into the back of Downtown Music Gallery with bassist Øyvind Storesund, drummer Paal Nilssen-Love and guest Steve Swell, playing to a sizeable and appreciative crowd of regulars. The group soldiered on amicably, Nilssen-Love's pyrotechnics limited to a snare, hi-hat and one cymbal and Gjerstad's alto and clarinet as biting and probing as it has been for decades.
A portion of Gjerstad's discographyfor his own label, Circulasione Totale, and othershas been given over to the saxophone trio. Even with Swell in tow at Downtown, the threesome of Gjerstad, Storesund and Nilssen-Love generated most of the momentum. Ten years and a few months prior, Gjerstad had another gig in New York with another impressive rhythm section: late bassist Wilbur Morris and drummer Rashid Bakr. This Knitting Factory concert has now been released as part of Ayler Records' download-only series and demonstrates that Gjerstad is above all things a committed improviser.
With Morris and Bakr, perhaps Gjerstad's aesthetic is a little more "American" and the rhythms more stable, but lengthy exploration is still the catchall. The disc is composed of three involved improvisations: "Sound (at over 30 minutes), "Sound Sight," which at four minutes is a slow breather after "Sound"'s fire and "Sight," 27 minutes of rested and restive Gjerstad.
What one takes away from this disc, the concert or indeed his whole career, is that Gjerstad, as any improviser worth his salt should, embraces challenging playing situations with a range of individuals yet is steadfast in remaining himself.
I love jazz because I am a singer and jazz inspires me.
I was first exposed to jazz when I was a baby. I grew up in a a musical family.
The best show I ever attended was Dianne Reeves with Romero Lubambo in Rio de janeiro, and Youn Sun Nah at the Vancouver
Jazz festival in 2010.
The first jazz record I bought was Sarah Vaughan.
My advice to new listeners is keep your ears and heart opened for good music.