Home » Jazz Articles » Multiple Reviews » A Pair From Pascalito: Citizen Chanteur and Forbidden Colours

4

A Pair From Pascalito: Citizen Chanteur and Forbidden Colours

By

Sign in to view read count
You have to give credit where credit is due: when it comes to turning multicultural pastiche into a unified musical statement, few people can match Pascalito. This light-voiced singer—"world chanteur" by his own definition—effortlessly shifts gears, switches passports, and blurs lines, moving comfortably from bossa nova to chanson to swing to tango with nary a problem.

With his first two albums—Le Blues d'Orphée (Self Produced, 2006) and Neostalgia (Self Produced, 2010)—this Paris-born, New York-seasoned singer established himself as a musical risk-taker. His gentle delivery often belies that fact, but the songs don't lie. He moves in directions that few attempt, removing the standard dressings covering classic songs and reupholstering them with surprisingly different fabrics, and he makes no apologies for any of it. After a period of silence on the recording front, he now returns with a pair of simultaneously-released live documents, furthering his reputation as a global music citizen.

Pascalito Neostalgia Trio
Citizen Chanteur: Live In NYC
Self Produced
2015

Citizen Chanteur: Live In NYC captures a complete set recorded at the Metropolitan Room—an intimate, unpretentious, vocalist-friendly club in Manhattan. Pascalito is joined by two Brazilians—pianist Luiz Simas and bassist Leco Reis—and he tips his cap to everybody from Luiz Bonfa to Annie Lenox and Billie Holiday to Henri Salvador. In the past, his work occasionally suffered from drastic scene changes and shifts in production style, but none of that is an issue now. It's just Pascalito's wispy vocals with piano and bass from start to finish here, and the man of the hour is in good spirits throughout.

The show opens on "Bossa Nova City," a piece which previously appeared on Neostalgia. There, it felt a bit lyrically malnourished; here, the dressed-down informality of the performance makes it more appealing. Pascalito takes a playful swipe at himself via the mention of critical response to the lyrics and Simas cites "New York, New York" in his outro, cementing the connection between Brazil and the Big Apple. It's the first of many easy-going charmers in the set. As the program moves forward, Pascalito moves every which way. He puts his own spin on jazz-associated classics, overlaying a breezy quality atop the haunting form of "Nature Boy" and using "Gloomy Sunday" as the first stop on a globetrotting medley; he triumphs with the spine-tingling "Les Mots"; and he successfully revisits a few other gems from his past —a refashioned "Here Comes The Rain Again," a soft shoe "Le Blues De La Fleuriste," and a swaying "La Pluie Sur Ta Peau," to name but a few. These fourteen tracks fly by as Pascalito's understated approach works its magic.

Pascalito Neostalgia Quartet
Forbidden Colours: Live Bennett Session
Self Produced
2015

Forbidden Colours: Live Bennett Session—a five song EP that adds drummer Conor Meehan to the group discussed above—doesn't give as full a picture of Pascalito as the full-length Citizen Chanteur: Live In NYC. It does, however, do an equally good job of highlighting his eclecticism. With bookend tributes to French icons Charles Trene and Leo Ferre, an obscure number penned by Ryuichi Sakamoto and David Sylvain, and two originals—the buoyant "Solestagia" and the cool and breezy "La Pluie Sur Ta Peau"—Forbidden Colours says a whole lot in a very short span of time.

The first two tracks prove to be the standouts here, as the quartet delivers a pleasing rendition of the oft-covered "Que Reste-t-il De Nos Amours" (a.k.a. "I Wish You Love") and the genre-defying "Forbidden Colours," but the remaining numbers don't disappoint. Pascalito is always full of surprises, even when revisiting material that he's recorded in the past, and his worldly ways with words and melodies have a unique way of winning over the ears.

Tracks and Personnel

Citizen Chanteur: Live In NYC

Tracks: Bossa Nova City; Tango De Non Retour; Nature Boy; Le Cinema; Medley: Gloomy Sunday/Manha De Carnaval/Chanson D'Orphee; Le Blues De La Fleurista; La Pluie Sur Ta Peau; Les Mots; Histoire D'un Amore; Here Comes The Rain Again; Syracuse; Citizen Chanteur; Les Paroles, Paroles-Tribute To Dalida; Selfless Clown.

Personnel: Pascalito: vocals; Luiz Simas: piano, vocals; Leco Reis: bass.

Forbidden Colours: Live Bennett Session

Tracks: Que Reste-t-il De Nos Amours (I Wish You Love); Forbidden Colours; Solestalgia; La Pluie Sur Ta Peau (Rain On Your Skin); Avec Le Temps.

Personnel: Pascalito: vocals; Luiz Simas: piano, vocals; Leco Reis: bass; Conor Meehan: drums.

< Previous
Joyful Jazz

Comments

Tags


For the Love of Jazz
Get the Jazz Near You newsletter All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who create it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

You Can Help
To expand our coverage even further and develop new means to foster jazz discovery and connectivity we need your help. You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination will vastly improve your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.

More

Shadow
Lizz Wright
Caught In My Own Trap
Kirke Karja / Étienne Renard / Ludwig Wandinger
Horizon Scanners
Jim Baker / Steve Hunt / Jakob Heinemann

Popular

Get more of a good thing!

Our weekly newsletter highlights our top stories, our special offers, and upcoming jazz events near you.