Ingebrigt Håker Flaten reminds us that jazz is the musical equivalent of a dark star, a musical black hole, absorbing all musical energy and classifications. The Norwegian-born bassist-turned Austin, TX resident assembled a multi-genre sextet under the uncategorizable name The Young Mothers. Sure, let's not call this jazz, because it would alienate 99% of fans. But jazz, in truth, it is.
The bassist has a taste for the extreme reaches of jazz. As a member of the Scandinavian power trio, The Thing with saxophonist Mats Gustafsson
, saxophonist Jason Jackson, guitarist Jonathan F. Horne, and trumpeter/rapper Jawwaad Taylor.
With a few guest musicians, TYM mash hip-hop into indie rock via a free jazz interface that excels on multiple levels. Genre classification, though is not one of them. Opening with the sly funk hip-hop of "The 'Wood," Taylor's vocals dip into the old-school rap of Big Daddy Kane and new jack swing, sung over the searing saxophone of Jackson and the acoustic rhythms supplied by Flaten and Rosaly. This music delivers on the promise first conceived by Keith Elam's Jazzmatazz and Branford Marsalis
' Buckshot LeFonque. The key is that TYM don't file down the rough edges, they amplify them. "Wells, The Original" breakfasts on a rocked-out theme before delving into the blackest of metal and the angriest of saxophone screeches. "Ruth," a take on African music, complete with kalimba, charges into the hardcore world of Tom Morello's Street Sweeper Social Club,
The exploratory improvisation of "Vigoran Ways" is fueled by Flaten's double bass, the twinkling of Gonzalez' vibraphone, and Rosaly's cymbal work, to surf the asteroid belts of Sun Ra