The dues were paid, and honor and homage were made to the true art form in L.A. on this day.
The event was "A Jazz Explosion," hosted by the California Jazz Foundation on May 4, 2008 at the digs of Local 47, Musicians' Union in Los Angeles. It was an occasion for lots of hot soundsindeed, a conflagration perhaps never before experienced on the planet! Four sets of music by artists on a jazz mission. The fire simply would not be containedit spread through the auditorium and over the city with artists unleashing succulent standards, bare-boned blues, no-nonsense straight-ahead swing, heart-centered Latin pulsations, and versatile vocal selections.
The Bruce Babad Quartetfeaturing Bruce Babad on alto sax, Larry Koonse on guitar, Putter Smith on bass, Steve Barnes on drums, and John Campbell on pianoignited the afternoon with Gerry Mulligan's "Line for Lyons." Satisfying, like velvet on listeners' ears. Anyone like to trade 4s or 6s? Babad and Campbell certainly did. Moreover, Babad's arrangement of Rodgers and Hart's "My Funny Valentine" was love for the heart, salve for the soul, water for the thirsty, and food for the hungry. Speaking of love...Babad performed a gorgeous waltz he had written for his wife"Jan." Steve Barnes wasn't bashful with his brushwork behind Babad's melody played on alto. The leader continued to enthrall with a composition he wrote utilizing music notes that correlated with his last name. The tune, entitled "BABAD," produced a cool and funky interaction in the call and response between the altoist and Campbell's piano.
What a tribute to Paul Desmond, the great altoist and composer of "Take Five." And though the quartet had the same instrumentation as Dave Brubeck's, they added their own elegance with stirring bass work by Putter Smith, splendid guitar solos and accompaniment by Larry Koonse, John Campbell's plush yet uninhibited piano playing and Babad's ever smooth, intuitive and sexy alto sax. And this was only the first set of music!
Ramon Banda and his Quintet began with greater intensity than the preceding group. Ramon Banda on drums, Carlos Cuevas on piano, Craig Fundya on vibes, Joey (Joseph) DeLeon on percussion, and Edwin Livingston on bass performed the music of Cal Tjader, Theo Saunders, "Dizzy" Gillespie, Walter "Gil" Fuller, and "Chano" Pozo Gonzales. It was a wonderful exchange among the musiciansa delight simply to watch the astuteness and musicianship connect on the Theo Saunders piece, "Lo Down, No Feathers" and Cal Tjader's "Philly Mambo." The hauntingly beautiful standard "Tenderly" caressed us all while we swayed in the moment. Throughout, Cuevas kept the room ablaze with his lyrical style, his intriguing, skillful hands producing music that sent chills down my spine.
Suddenly "Carlito!!!" was shouted by an audience member, anticipating my own thoughts. I wanted to shout his name as well! Banda turned up the heat with a steady and soul-stirring, joyful rhythmic beat. Cuevas continued serving up his sweet and sizzling vibrations, leading to empathetic communication felt as much by the audience as the musicians. DeLeon was in sync with his tireless pulverizing percussion while Livingston, in his usual attire, fueled the inferno with changes on bass that were galvanizing. They completed their journey with Dizzy Gillespie's invigorating "Manteca."
The "Jazz Explosion" hosted not only incomparable music but a luscious spread of salads, main courses, desserts, fine wines and liquor along with soft drinks, water and hot coffee. The harmony among the audience members and testimonials given by those who have been supported through efforts of the California Jazz Foundation made the event not only personally fulfilling, musically and artistically, but altruistically and communally satisfying as well. We truly communed together on this magical afternoon.
Highlights occurred throughout the afternoon, with each set bringing its special sizzle. Certainly the Billy Valentine Quartet kept the flames going. The Quartet, featuring Billy Valentinea keen and warm vocalistincludes the equally perceptive Stuart Elster on piano, an animated Bruce Lett on bass and the remarkable Gary Gibbons on drums, who kept it steady, strutting, and swinging.
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