On the sunny Côte d'Azur, Juan-les-Pins offers a jazz festival every year by mixing all-stars bands, and daring to take risks in offering new artists not exclusively from the jazz sphere. Jazz à Juan (Jazz in Juan) is first of all a wonderful site, the timeless decor of the Gould pine grove a unique place with the Mediterranean Sea as a backdrop. As Booker T. Jones
The place is also a wonderful starting point to discover the region, situated between Cannes and Nice. For modern art, two major sites are only a few minutes' ride from Juan: in Saint-Paul-de-Vence, the exceptional Fondation Maeght, a magic place built by an art-collector for his collections in the 1960s; its gardens display a great collection of Joan Miro's sculptures as well as Giacometti's long and thin personages. Near the small village of Biot, the Musée Fernand Léger contains the largest exhibition and some masterpieces of the great French artist.
As in a lot of summer festivals, the program gave way over ten days to musical genres which were sometimes far from jazz, with moments of disappointment or discovery. In the latter category was the energetic concert of Imelda May. The fiery Irish woman with her glamorous look, red lips and glittering dress, delivered a crazy rockabilly concert with a mix of rock, pop and post punk, along with an extravaganza of the 1950s. After this warm and natural demonstration, Joss Stone
's show looked a bit like a cold pizza. The pretty blonde from Dover, England, tried to take the audience on board from the first song. With quite an unusual nasal voice, constant public calls that broke the lyrics of each song, and a shadow of enthusiasm, surely the child prodigy of soul did not give her best concert that night .
was the revelation of the Jazz à Juan festival in 2005, and this year she returned to the main stage with the repertoire of her recent album Lento (ACT Music / Challenge Records, 2013). She marked the festival this year with a five-star performance: her advanced technique level combined with an exceptional voice, free artistic expression, humanity and a well-balanced repertoire, she had everything for a magic night. "Lament" and "Ghost Riders in the Sky " were beautiful moments of intense music and "Momento Magico " (from her guitarist Ulf Wakenius
's last recordings, but that night in Juan-les-Pins he was a true showman, sincere and humorous, twirling and using his piano or his chest for percussion, delivering the dizziest versions of his greatest hits during a two-hour-show.
The evening of July 14th would be one of contrasts, and fireworks. Romane gathered his sons, two guitarists, on a gypsy-inspired repertoire, incorporating pieces from Thelonious Monk
, the pianist/crooner from New York, had been there every night for the jam session on the beach, and on this day had the privilege of introducing his music on the main stage. Almost unknown on the European scene, Regen went through the underground scene of New York in the 1980s before becoming Jimmy Scott
's. As a crooner, he found himself associated with Andy Summers (ex-Police) or Benmont Tench (Tom Petty & the Heartbreakers). In a sometimes close-to-Randy Newman spirit, with intonations of Sting, Regen's style developed a rather intimate personal style, with beautiful piano solos.