The problem becomes apparent from the opening track, "Deciphering The Message," from Blakey's Live At The Café Bohemia (Blue Note, 1955). In addition to Blakey (drums), that recording featured Mobley, Dorham, pianist Horace Silver
's title track to the trumpeter's The Thing To Do (Blue Note, 1964) and Green's "Idle Moments," recorded for the same label the year before. Not to mention Mobley's "My Groove, Your Move," "Infra Rae" and "Roll Call" or Dorham's "Una Mas." Of course, it's nice to hear such iconic songs given a new reading, but somethinga great deal actuallyis always missing.
Holgersson is relatively unknown, even in Sweden. He hails from Furulund, a small town in Skåne, the country's southernmost province. His compatriots on this session are equally untried and even the presence of accomplished English trumpeter Gerard Presencer
, who now lives in Copenhagen, fails to lift the proceedings. They remain one-dimensional, haunted by the ghosts of yesteryear.
The whole exercise is reminiscent of the traditional approach to jazz in which young enthusiasts tried to recreate the sounds of New Orleans at the turn of the previous centurythough this was more valid, perhaps, because there were no means to capture those sounds at the time.
Jazz shouldn't be static. Nostalgia is a thing of the past and all that. But, after a few glasses of aquavit on a cold winter's night in Skåne, it might be pleasant to relax in a local jazz club and pretend to be in Café Bohemia or listening in at Rudy Van Gelder's studio in Eaglewood Cliffs, New Jersey, to those Blue Note sounds being created. With its vaulted ceiling made of laminated Douglas fir arches, they say it has a decidedly Scandinavian feel.
Track Listing: Deciphering The Message; The Thing To Do; Idle Moments; Prism; Isotope;
Sonnet For Caesar; Infra-Rae; Extempore; Una Mas; My Grooove, Your Move;
Roll Call; Driftin'.
Personnel: Jonas Holgersson: drums; Gerard Presencer: trumpet; Hans Ulrik: tenor
saxophone; Matthias Landaeus: piano; Johnny Åman: bass.