TD Ottawa Jazz Festival Ottawa, Canada June 20-July 1, 2013 Having made the decision, in 2012, to broaden its stylistic purview to include not only music on the periphery of jazz, but artists with no real connection to the founding raison d'être of the festival, the 2013 TD Ottawa Jazz Festival continued to bring extracurricular music to its main stage in Confederation Park, looking to both bolster its bottom line and bring a younger demographic to an event now in its 33rd year. While controversy continues to exist about whether or not a jazz festival can be called a jazz festival if it's anything but purea subject covered in the 2012 AAJ article, When is a Jazz Festival (not) a Jazz Festival?there's still no doubt that the TD Ottawa Jazz Festival is a jazz festival. There may be acts like ex-Talking Heads singer David Byrne and his project with St. Vincent and even (gulp!) the Doobie Brothers (more about that in a moment), but during each and every day of the festival's 12-day run, there's so much jazz going on at venues like the National Arts Centre's Fourth Stage and Studio, Dominion-Chalmers Church and the OLG stagea party tent located across the street from Confederation Park at Festival Plaza, which hosts late evening shows largely aimed at a younger demographicthat the TD Ottawa Jazz Festival remains an event still easily and justifiably jazz, keeping its name and continuing to be true to it.
One of the most notable achievements that the OJF has successfully accomplished in its extracurricular programming is to bring prestige artists to Confederation park, whether it's Robert Plant or Elvis Costello, who put on terrific shows last year, or this year's opening night with Willie Nelson, which was a smashing success, according to Director of Marketing, Sponsorship and Media, Suzan Zilahi, a woman who wears many hats but, amongst them alland despite being seen in almost constant motion during the festivalalways manages to take care of accredited journalists and photographers as if they were the only ones covering the festival, thanks to her own work and that of her efficient and friendly staff. Perhaps the only bump in the prestige road was the festival's booking of the Doobie Brothersnothing but a nostalgia act at this pointbut when the festival's original show with the legendary Aretha Franklin
was pulled due to serious health problems, OJF, like all the other festivals now stuck with a gaping hole in their program, had to find, at the relatively last minute, something to fill that gap, and finding a group that's on tour, is in the general vicinity and has an opening on that particular night (June 26) is no small challenge.
And so, with the Doobie Brothers matching all three criteria, it may not be the most prestigious find for the festival, but it did bring a large crowd to Confederation Park and so, if nothing else, when it comes to finding acts to bolster the bottom line and fund the smaller shows at the Fourth Stage's Improv Series and Studio seriesincluding the spectacular Dutch group Boi Akih
, and so much morewell, all can very easily be forgiven.
With the addition of Dominion-Chalmers this yeara venue the festival has often used for its off-season programming, so using it makes good sense, even though it's a little farther away from the ground zero of Confederation Park (which abuts the National Arts Centre) and still within walking distancethere was a new and ideal home for acts ranging from gospel maven Mavis Staples